Active from 1997 | ||
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Similar Fairey Band, Harry Mortimer, A Guy Called Gerald, 808 State, Graham Massey | ||
Acid brass jeremy deller the culture show 24 02 2012
Acid Brass is a musical collaboration between Turner-Prize-winning artist Jeremy Deller and the Williams Fairey Brass Band. The project is based on fusing the music of a traditional brass band with acid house and Detroit techno.
Contents
- Acid brass jeremy deller the culture show 24 02 2012
- Williams fairey brass band acid brass what time is love version k from the 2k single
- Albums
- Album
- Reception
- References
Acid Brass began in 1997 as a collaboration between Deller, the Stockport-based Fairey Brass Band and Rodney Newton who created all the brass arrangements. Deller saw a connection between the two apparently disparate genres, viewing them as "two authentic forms of folk art rooted in specific communities". The music has since been taken all over the world, and was performed by the Fairey Band before a London crowd of 25,000 in July 2005.
In 1997, The KLF co-founder Bill Drummond heard Acid Brass performing The KLF's "What Time Is Love?" as part of their encore. Consequently, Acid Brass collaborated with The KLF (appearing in their alternative personae as The Justified Ancients of Mu-Mu) on a track titled "Fuck the Millennium", incorporating Acid Brass' cover of "What Time Is Love?". The track was released as a single under the moniker 2K.
The track "The Groove that won't stop" was played over the end titles to the 2010 movie "Four Lions".
The Fairey Band still plays regular Acid Brass gigs at major music festivals in the UK and abroad, and in 2011 issued a new Acid Brass CD.
Williams fairey brass band acid brass what time is love version k from the 2k single
Albums
Album
Acid Brass was released by Blast First in on 3 November 1997.
Reception
Acid Brass was released to generally favourable reviews. Steve Huey of Allmusic was mixed in his assessment, who said "the somewhat dodgy (and condescending) concept for this record, by artist Jeremy Deller, is that both brass bands and raves are staples of British working-class life, so a fusion of the two styles of music is natural. While the results are certainly well played, it's extremely difficult to figure out exactly who Acid Brass is supposed to appeal to, except maybe the kitsch audience." Joshua Klein of The A.V. Club was favourable, saying: "If the musicians weren't so serious about the endeavor, it wouldn't quite work, and as it stands, A Guy Called Gerald's 'Voodoo Ray' sounds pretty silly when played by a marching band. But the arrangements retain much of the simple hookiness of the originals."