Abendland

Critical reception

Manohla Dargis of The New York Times called Abendland a "visually precise and politically amorphous" portrait of an imagined community: "The overall impression is a vision of Europe as a mosaic, as an artful amalgam of perfectly framed, seemingly disconnected moments during a long shared night, give or take a time zone change or two." Nick Pinkerton, reviewing for The Village Voice, describes the documentary, "The film's principal subjects are the eurozone's service and security industries, showing a continent busy saving its citizens from themselves." Pinkerton compared Abendland to the works of other Austrian directors Ulrich Seidl and Michael Glawogger in how they show "under-the-hood images of the global economy’s workings".