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A Touch of Zen

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Music director
Tai Kong Ng, Wu Ta-chiang


A Touch of Zen movie poster

Release date
November 18, 1971 (1971-11-18)

King Hu, Songling Pu (story)

Initial release
November 18, 1971 (Hong Kong)

(Yang Hui-ching),
Peng Tien
(Ouyang Nin), (Abbot Hui Yuan),
Chun Shih
(Ku Shen Chai),
Pai Ying
(General Shih),
Cho Kin

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A touch of zen

A Touch of Zen is a 1971 Taiwanese wuxia film directed by King Hu. The film won a prize at the 1975 Cannes Film Festival, claiming the Technical Grand Prize award.


A Touch of Zen movie scenes

Although filming began in 1968, A Touch of Zen was not completed until 1971. The original Taiwanese release was in two parts in 1970 and 1971 (filming was still ongoing when the first part was released) with the bamboo forest sequence that concludes Part 1 reprised at the beginning of Part 2; this version has a combined run time of 200 minutes. In November 1971 both parts of the film were combined into one for the Hong Kong market with a run time of 187 minutes. Its running time of over three hours makes it an unusually epic entry in the wuxia genre.

A Touch of Zen movie scenes

A touch of zen the buddhist scene 1971


A Touch of Zen httpsassetsmubicomimagesfilm3494imagew12

The story is largely seen through the eyes of Gu, who is a well-meaning but unambitious scholar and painter, with a tendency towards being clumsy and ineffectual. A stranger arrives in town wanting his portrait painted by Gu, but his real objective is to bring a female fugitive back to the city for execution on behalf of the East Chamber guards. The fugitive, Yang, is befriended by Gu and together they plot against the corrupt Eunuch Wei who wants to eradicate all trace of her family after her father attempts to warn the Emperor of the eunuch's corruption. His daughter fled, and Abbot Hui intervened to protect them.

A Touch of Zen A Touch of Zen NW Film Center

The stranger, Yang and her friends are all superior warriors. The stranger has a special flexible sword that bends and that he can wear within his belt, making him seem unarmed.

A Touch of Zen A Touch of Zen 1971 The Criterion Collection

One of the unique aspects of the film is that Gu is a non-combatant all the way through the film and only becomes involved when he sleeps with Yang. Upon doing so, he is no longer the naïve bumbling innocent, but instead becomes confident and assertive, and when Yang's plight is revealed, he insists on being part of it – and even comes up with a fiendish "Ghost Trap" for the East Chamber guards. This is a plan to use a supposedly haunted site to play tricks on the guards to make them believe they are prey to the undead. He first spreads rumours of ghosts, with his mother playing a part. The film then briefly uses split-screen with six separate views to show the spread of these rumours.

A Touch of Zen A Touch of Zen Brattle Theatre

In the aftermath, Gu walks through the carnage laughing at the ingenuity of his plan until the true cost of human life dawns upon him. He sees Abbot Hui and his followers arrive to help bury the dead.

A Touch of Zen A Touch of Zen King Hu film analysis Senses of Cinema

After the battle, Gu is unable to find Yang, who he is told has left him and does not want him to follow her. He tracks her down at the monastery of the saintly and powerful Abbot Hui Yuan, where she has given birth to a child by Gu and become a nun. She tells Gu that their destiny together has ended and gives Gu their child. Later, when Gu and the child are tracked down by Hsu Hsien-Chen, the evil commander of Eunuch Wei's army, Yang and Abbot Hui come to Gu's rescue. In the ensuing battle, Hsu is killed and Yang and Abbot Hui are badly injured (the latter bleeding golden blood). The film famously ends with the injured Yang staggering towards a silhouetted figure, presumably Abbot Hui, seen meditating with the setting sun forming a halo around his head, an image suggesting the Buddha and enlightenment.


A Touch of Zen Essential Kung Fu Cinema 3 A Touch of Zen Kung Fu Tea

  • Hsu Feng as Yang Hui-zhen (楊惠貞)
  • Shih Chun (石雋; Shí Juàn) as Gu Sheng-tsai (顧省齋; Gù Shěngzhāi)
  • Bai Ying (白鷹) as General Shi Wen-qiao (石問樵)
  • Xue Han (薛漢) as General Lu Ding-an (魯定庵)
  • Roy Chiao as Abbot Hui-yuan (慧圆)
  • Tien Peng (田鵬) as Ouyang Nian (歐陽年)
  • Cao Jian (曹健) as Xu Zheng-qing (徐正清), local magistrate
  • Miao Tien as Nie Qiu (臬逑), one of Mun Ta's advisors
  • Zhang Bing-yu as Sheng-tsai's mother
  • Wang Rui as Men Da a.k.a Mun Ta (門達; Mén Dá)
  • Han Ying-jie as Chief Commander Xu Xian-chun
  • Wan Zhong-shan (萬重山) as Lu Qiang (魯強)
  • Liu Chu as one of the Magistrate's men
  • Gao Ming as one of the Magistrate's men
  • Lu Zhi as Mun Ta's guard
  • Jia Lushi as Yang Lian
  • Cheung Wen-men as Tao Lung
  • Jackie Chan (uncredited stuntman)
  • Long Fei as a guard
  • Sammo Hung as guard/soldier
  • Significance

    A Touch of Zen A Touch of Zen King Hu film analysis Senses of Cinema

    The film has been hailed for its cinematography, editing, and special effects, as well as its unusually thoughtful approach to the genre, with its strong thematic focus on Buddhism. The film makes strong use of symbolism throughout and is famous for its "abstract," open-ended finale. The motif of spiderwebs is often used to symbolize the tangled and sinister nature of the East Chamber and the evil Eunuch and the manipulative nature of Yang. Elsewhere, the film employs a dark, moody tone which enhances the sense of fantasy. Images of nature, the sun, and the use of lens flares are associated throughout with Buddhism and Abbot Hui-yuan's convent. The final battles between Hsu and Hui, which involve a number of mystical events, have been interpreted as a battle between good and evil or as a parable about Buddhist religious virtues, the evils of worldliness, and enlightenment.

    The film was awarded the Technical Grand Prize and nominated for the Palme d'Or at the 1975 Cannes Film Festival.

    Featuring stunning settings and backdrops, A Touch of Zen was an influence on many subsequent films, including Ang Lee's Crouching Tiger, Hidden Dragon (2000) and Zhang Yimou's House of Flying Daggers (2004).

    Home media

    A Touch of Zen was released on DVD for the North American market on December 10, 2002 by Tai Seng Entertainment, with only King Hu's biography and filmography as extras. The film was also released on PAL DVD for the British market on July 28, 2003 by Optimum Releasing (now StudioCanal UK), as well as for the German market on April 10, 2008 by KSM GmbH as part of their "King Hu Collection". The film was released on PAL DVD in France on September 1, 2004 as simply Touch of Zen by Films sans Frontières (Films Without Borders), which has both French and English subtitles.

    After the film's 4K restoration in 2015, the film's first Blu-ray release was by Eureka Entertainment for the Masters of Cinema series, released on January 25, 2016 for the British market, which also includes a DVD edition of the film. Both editions include a select scene commentary by critic Tony Rayns, the film's theatrical trailer, and newly translated English subtitles, as well as a 36-page booklet which features director King Hu's statement from the 1975 Cannes Film Festival, a 1975 interview with the director by Rayns, the short story the film was based on, eight characteristics of "the swordswoman" in King Hu's films, and archival images. A limited-edition version of the Blu-ray and DVD adds a 2012 documentary about King Hu and a new essay by filmmaker David Cairns.

    On July 19, 2016, American home video company The Criterion Collection released the film on Blu-ray and DVD using the same 4K restoration also used by the Masters of Cinema release. Both the Blu-ray and DVD include the 2012 documentary about King Hu, new interviews with the actors Hsu Feng and Shih Chun, filmmaker Ang Lee, and film scholar Tony Rayns, the theatrical 4K re-release trailer, and newly translated English subtitles, as well as a leaflet containing a new essay by film critic and theorist David Bordwell and King Hu's notes from the 1975 Cannes Film Festival. The new Blu-ray and DVD cover and interior poster (combined with the leaflet) was illustrated by Greg Ruth and designed by Eric Skillman.


    A Touch of Zen Wikipedia
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