A spell cast by their children causes a quarterback (David Alan Grier) and an artist (Vivica A. Fox) to switch bodies.
A Saintly Switch is an American made for TV comedy film directed by Peter Bogdanovich (The Last Picture Show, Mask, Paper Moon) and produced in 1999 in by Walt Disney Entertainment, first exhibited on ABCs The Wonderful World of Disney. The plot revolves around an aging NFL quarterback and his stay-at-home wife switching bodies. The resultant comedy focuses on family values as she has to handle the highly-physical job while he has to handle art classes, bonding with his children, and morning sickness.
The story is about a married couplewith children on the verge of divorce. Their imminent divorce, like many, is due to their mutual lack of respect and compassion for each other and the effect it has on their children. When the family makes a traumatic move to New Orleans they move into an old, Victorian home. There, in the attic, the children think they have found the "magic" to solve their parent's problems. The children accidentally manage to switch the souls of their parents. Now the wife must face the perils of the lockeroom and pressures as family breadwinner and the husband must face pregnancy and bond with his children. Newfound respect and appreciation is gained as the couple finally find out what it's like to walk in the other person's shoes.
At the films opening, Dan and Sara are experiencing marital fallout. According to their pre-teen children, Clark and Annette, they both underestimate each others role in the family. When a new position with the Saints takes them to New Orleans, the Andersons purchase a dilapidated mansion. Upon arrival, they start fighting worse than ever. The children go up into the attic and discover a book of spells, finding out from their babysitter, the resident voodoo sorceress, that this house once belonged to the most powerful sorceress in the area. Desperate to save their parents marriage, the two cast a spell which inadvertently switches their parents bodies.
The next morning, Dan wakes up in Saras body, and she likewise. They try to act like nothing has changed, which means they must do each others jobs. After managing for about a day or two, still trying to keep their children (who already know whats going on) from finding out, Dan (in Saras body) goes to the doctor because he (she) is feeling sick and discovers that he (she) is pregnant. The rest of the movie continues in similar fashion: As the two parents live life in the others shoes they grow to understand one another.
Thanks to the secret coaching she is receiving from Dan, Sara starts to get better at football. Her nurturing nature leads to her/him implementing the sort of reward list and tactics usually expected in a classroom. Surprisingly, this encourages the team so much that they start winning match after match. On the other hand, Dan is learning how to keep house and, though still rather uncomfortable, is rather enjoying his/her pregnancy and getting closer to the children in the process. As time passes, both parents really begin to understand what the other was complaining about, commenting on this to one another and wondering if theyll ever switch back or if theyll be stuck in each others bodies for the rest of their lives.
When the pregnancy is about nine months along, the Saints make it to the Super Bowl. If the team wins, the championship will go to Dan, wholl never have to worry about money or moving around again. Exhilarated, the parents embrace each other at the table and shout jubilantly at each other. This is heard by the children, who use this opportunity to finally confess all to their parents. The children try to undo the spell, but fail. They call the babysitter, who translates that the spell will reverse once its purpose is complete: when the two parents truly understand each other, they will be restored to their rightful bodies. However, there is a warning clause that implies that unless they manage to undo the spell before the birth of the baby, the spell will be permanent.
After the babysitter leaves and parents and children go to bed, Dan and Sara apologize to each other, then kiss, which turns out to be the necessary act of understanding. The next day is the big match, and Dans teammates instantly notice the difference in Dans behaviour. While Sara goes into labor, Dans attempts to motivate his teammates with insults causes them to start fumbling. His son reminds him to forget his old methods of motivation and revert to the "touchy-feely stuff" his wife used. In the hospital, Sara is puffing and panting and swearing and ordering the nurses to bring her a TV. Around the time Dan wins the championship game, Sara finally gives in to nature and gives birth to her new son. Later on, Dan is offered another job, but turns it down for his family.Vivica A. Fox ... Sara Anderson
David Alan Grier ... Dan Anderson
Al Waxman ... Coach Beasily
Scott Cumberbatch ... Clarke Anderson
Shadia Simmons ... Annette Anderson
Rue McClanahan ... Aunt Fanny
Frank Welker ... Voltaire (voice)
Louise Stratten ... Kimberly
Mark Lutz ... Morton Wagner
Scott Wickware ... Coach Barker
John Boylan ... Principal Wilby
Alex Campbell ... Billy
John Jarvis ... Dr. Davis
Don Wilson ... Tight End
Robert Thomas ... Offensive Tackle
Arnold Pinnock ... Guy in Convertible
Rufus Crawford ... Referee
The movie was dedicated to the memory of Dave Waymer by its writer and producer, Sally Hampton, whose experience as an NFL wife (Hampton and Waymer were married in 1981) was the inspiration behind the story. Hampton said she had loosely based the lead characters on their personalities and, ironically, the lead actor, David Alan Grier and Waymer share the same July 1 birthday and Hampton, was born late afternoon of July 29 making her birthday only hours away from the July 30 birthdays of lead actress, Vivica A. Fox and director Peter Bogdanovich. Adding to these coincidences, principal photography of the movie began on June 29, 1998, what would have been the 17th wedding anniversary of Hamptons marriage to Waymer
Variety Magazine gave the film a positive review. Whilst noting plot similarities to Freaky Friday, Trading Places and The Parent Trap, as well as character stereotypes, Ray Richmond stated "there is so much to like about the genuinely canny show that all of the other stuff sounds nitpicky and harsh. Under Bogdanovichs sure hand, this is a stylish fantasy that leaves you with a smile."