127 Hours (soundtrack)

Development

Rahman collaborated with Danny Boyle for the second time. Their previous association, Slumdog Millionaire was a great critical and commercial success to Rahman, who was described by Time magazine as India's most prominent movie songwriter, in 2005. After the scripting finished, Boyle handed over the script to Rahman, who says when he first got the script and the screenplay, even before the shoot, some kind of sounds came into his mind and he put some stuff down and sent it to Boyle when he was cutting the movie. Rahman wanted the score to feel very much like something the cinematic Ralston might be listening to, a mix of heavily layered acoustic and electric guitars, brightened with digital effects. About the selection of guitar as the major instrument, Rahman says:

"My thing was to have one instrument, one instrument that was very close to this character. He was single, he was very confident and young. So I thought the guitar would be perfect."

Rahman says that he was able to complete the score within a short period of three to four weeks. After completing the score, when asked about the scoring experience and challenges, Rahman said:

"The idea was not to make the music sad or self-pitying at all. The idea was to go to Aron's frame of mind where he was happy and confident. Aron has this energy and charm about him, which inspired the movie. The music could have easily gone into a dark zone where you feel uncomfortable sitting in the movie. Danny loves stuff which drives and has a love for surreal, futuristic sounding things."

"At first, it felt a little bit too harsh, but I went to the computer and went for something meditative rather than harsh. It was a very difficult scene. I had to see it more than 40 times. We started pulling things out of the score. We wanted to make it more human."

Reception

The soundtrack received generally favourable critical reviews. Philip French of The Observer commented that "The music is subtly varied; the soundtrack makes admirable use of silence and natural sound."

Sarah Kurchak of ChartAttack reviewed the music saying "There's something about the way Danny Boyle uses popular music in his films that's really exciting for anyone who genuinely cares about the medium. Plenty of directors are good with a score, and he's no slouch in that department, but the use of songs is a different beast. In both score and songs, Boyle seems to have an inherent ability to understand the moods and emotions music can inspire in people and uses it to augment his storytelling."

The soundtrack was rated five out of five in the review by Danny Graydon of Empire magazine. His review reads: "Following their Oscar-winning collaboration on Slumdog Millionaire, A. R. Rahman provides Danny Boyle’s tale of a mountaineer in dire straits with an affecting core of slow-burn, reflective cues that ultimately penetrate in a big way, supported by a typically eclectic array of exterior tracks from the likes of Free Blood, Bill Withers and, most effectively, Sigur Rós. Rahman’s nine cues are anchored on acoustic guitar and generate a suitably meditative tone, augmented by ethnic pipes (Acid Darbari) and ethereal vocals (R. I. P.). Rahman’s collaboration with singer Dido, If I Rise, closes proceedings with a cathartic and quietly optimistic tone which almost prompts a tear."

Margaret Wappler, in the review published in Los Angeles Times, said that "In his last movie, Slumdog Millionaire, director Danny Boyle showed a sophisticated sense of how music and image can intertwine and intensify each other. With his latest, 127 Hours, he proves his skill again, reenlisting composer A.R. Rahman, who won two Academy Awards for his racing, kinetic score to Boyle's violent fairy tale set in Mumbai, India."

Daniel Schweiger of Film Music Magazine said that "Danny Boyle and A.R. Rahman are going for a far more interior moment of transcendence, one that tells us the often-awful fight for life is more than worth it- especially in this haunting fever dream that take a filmmaker and musician to new heights while pondering their way out of a man's darkest hours."

The review published by Christian Clemmensen at Filmtracks commented that "Whether or not you can stomach this film or its equally challenging album, the music serves as even more evidence that the diversity of Rahman's talents can compete favourably in an otherwise arguably stale film scoring environment in the United States."

Jonathan Broxton of Movie Music UK gave a favourable review and called the score an "unconventional one". He also praised Rahman for his ability to score in multiple genres.

Director Shekhar Kapur, after a special screening of the movie, commented through Twitter that "Rahman's score adds depth to Danny Boyle's deft and energetic direction in 127 hours. Rahman certainly deserves another Oscar for 127 hours, Danny Boyle and Rahman are proving to be a great combination."

Aron Ralston, on whom the movie is based, praised Rahman for the music and posted a hand-written note on Facebook and Twitter, which reads:

"For A.R, Thank you for bringing your amazing music to my story – if only I had your soundtrack in the canyon, I could've lasted another 127 hours. Best Wishes, A.R. (Aron Ralston)."

Awards and nominations

Track listing

Personnel