-ana (more frequently -iana) is a suffix of Latin origin, used in English to convert nouns, usually proper names, into mass nouns, as in Shakespeareana or Dickensiana, items or stories related to William Shakespeare or Charles Dickens, respectively.
The recognition of this usage as a self-conscious literary construction, typically as a book title, traces back at least to 1740, when it was mentioned in an edition of Scaligerana, a collection of table talk of Joseph Justus Scaliger, from around 150 years previously. By that period Scaliger was described as "the father, so to speak, of all those books published under the title of -ana".
As grammatical construction it is the neuter plural, nominative form of an adjective: so from Scaliger is formed first the adjective Scaligeranus (Scaligeran) which is then put into the form of an abstract noun Scaligerana (Scaligeran things). In Americana, a variant construction, the adjectival form already exists as Americanus, so it is simply a neuter plural (suffix –a on the stem American-); the case of Victoriana, things associated with the Victorian period, is superficially similar, but the Latin adjective form is Dog Latin.
SherlockianaThralianaShakespeariana; or the most beautiful topicks, descriptions, and similes that occur throughout all Shakespear's plays; subtitle of Charles Gildon, The Complete Art of Poetry (1718)Gulliveriana: or a Fourth Volume of Miscellanies, being a sequel of the three volumes published by Pope and Swift, to which is added Alexanderiana, or a comparison between the ecclesiastical and poetical Popes and many things in verse and prose relating to the latter by Jonathan Smedley (1728).Johnsoniana: or, Supplement to Boswell (1842), by John Wilson Croker, formed from Samuel JohnsonC. A. Moore , Miltoniana (1679–1741), Modern Philology, Vol. 24, No. 3 (Feb., 1927), pp. 321–339. From John Milton."In all of Vidaliana, there may be no more famous moment than the evening of Wednesday, Aug. 28, 1968." From Gore Vidal.The suffix -iana, -eana or -ana has often been used in the titles of musical works, as a way of a composer paying a tribute to an earlier composer or a noted performer.
Mauro Giuliani (died 1829) wrote six sets of variations for guitar on themes by Gioachino Rossini, Opp. 119–124. Each set was called "Rossiniana", and collectively they are called "Rossiniane".
Later examples include:
Albeniziana: Joan Gibert Camins honouring Isaac AlbénizBachianas Brasileiras: Heitor Villa-Lobos honouring Johann Sebastian BachBartokiana: George Rochberg honouring Béla BartókFantasia Busoniana: John Ogdon honouring Ferruccio BusoniChopiniana: Alexander Glazunov honouring Frédéric ChopinCimarosiana: Gian Francesco Malipiero honouring Domenico CimarosaOde Corelliana: Salvatore Di Vittorio honouring Arcangelo CorelliDebussiana: James Rhinehart honouring Claude DebussyDonizettiana: Myer Fredman honouring Gaetano DonizettiDussekiana: Eric Gross honouring František Xaver DušekFrescobaldiana: Vittorio Giannini honouring Girolamo FrescobaldiGabrieliana: Gian Francesco Malipiero honouring Giovanni GabrieliGershwiniana: Steven Gerber honouring George GershwinHandeliana: Józef Koffler honouring George Frideric HandelIvesiana, a ballet by George Balanchine to the music of Charles IvesKoschatiana: Ernst Bacon honouring Thomas KoschatLisztiana: Dmitri Rogal-Levitski, Jean-François Grancher honouring Franz LisztMahleriana: Domenico Giannetta honouring Gustav MahlerMozartiana: Pyotr Ilyich Tchaikovsky honouring Wolfgang Amadeus MozartMozartiana: Julian Yu honouring Wolfgang Amadeus MozartNazaretheana: Stephen Whittington honouring Ernesto NazarethNordraakiana: Johan Halvorsen honouring Rikard NordraakOffenbachiana: Juan José Castro, Manuel Rosenthal honouring Jacques OffenbachPaganiniana (Casella): Alfredo Casella honouring Niccolò PaganiniNathan Milstein also wrote a PaganinianaCharles Camilleri wrote a Paganiana [sic], for piano 4-handsPedrelliana: Manuel de Falla, Roberto Gerhard honouring the pianist Felip Pedrell (Falla’s piece was the final section of Homenajes)Purcelliana: Alfred Akon honouring Henry PurcellOverture Respighiana: Salvatore Di Vittorio honouring Ottorino RespighiRossiniana: Ottorino Respighi honouring Gioachino RossiniSarasateana: Efrem Zimbalist honouring Pablo de SarasateScarlattiana: Alfredo Casella, Noam Sheriff honouring Domenico ScarlattiSchumanniana: Vincent d'Indy honouring Robert SchumannSegoviana: Darius Milhaud honouring the guitarist Andrés SegoviaSoleriana: Joaquín Rodrigo honouring Antonio SolerStevensonia: two orchestral suites (1917, 1922) by Edward Burlingame Hill, based on works by Robert Louis StevensonStraussiana: Erich Wolfgang Korngold honouring Johann Strauss IITartiniana: Luigi Dallapiccola honouring Giuseppe TartiniTchaikovskiana: Myer Fredman; and Tasmin Little and John Lenehan; honouring Pyotr Ilyich TchaikovskyTelemanniana: Hans Werner Henze honouring Georg Philipp TelemannThomsoniana: Peggy Glanville-Hicks honouring Virgil ThomsonVerdiana Suite: Tutti Camarata honouring Giuseppe VerdiViottiana: Luciano Sgrizzi honouring Giovanni Battista ViottiVivaldiana: Gian Francesco Malipiero honouring Antonio VivaldiMaría Teresa Prieto's 1942 symphony was titled Asturiana.Oscar Peterson named a 1964 album Canadiana Suite.Eric Woolfson's rock opera and first solo album was titled Freudiana, in honour of the pioneer psychoanalyst Sigmund Freud.Randall Thompson set seven poems of Robert Frost in a work he called Frostiana.Darius Milhaud wrote Kentuckiana, divertissement sur 20 airs du Kentucky, Op. 287 (1948)Robert Schumann wrote a piano suite Kreisleriana, but the Kreisler in this case was the fictional literary character Johannes Kreisler created by E. T. A. Hoffmann.Gösta Nystroem's Symphony No. 4 (1952) was originally entitled Sinfonia shakespeariana.Einojuhani Rautavaara subtitled his 6th Symphony Vincentiana, in honour of Vincent van Gogh. He had earlier written an opera on van Gogh, called Vincent, and he reused some of the material in his symphony.Dizzy Gillespie named his 1960 album featuring compositions by Lalo Schifrin Gillespiana.Ballets named Glinkaiana, Medtneriana and Scriabiniana were staged in the Soviet Union in the early 20th century, set to music by Mikhail Glinka, Nikolai Medtner and Alexander Scriabin respectively.