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Yiannis Papaioannou

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Name
  
Yiannis Papaioannou


Role
  
Musician

Yiannis Papaioannou httpsiytimgcomvivHEPSyottDwhqdefaultjpg

Died
  
August 3, 1972, Athens, Greece

Albums
  
The Classic Collection, Tsifteteli Instrumental

Similar People
  
Markos Vamvakaris, Sotiria Bellou, Stelios Perpiniadis, Yiorgos Batis, Spyros Peristeris

Cypreco concert dedicated to yiannis papaioannou pente ellines ston adi


Yiannis Papaioannou (Greek: Ιωάννης Ανδρέου Παπαιωάννου; 6 January 1910, Kavala – 19 May 1989, Athens) was a Greek composer and teacher of the Modern Era. He studied piano with Marika Laspopoulou and composition with Alekos Kontis at the Hellenic Conservatory in Athens (1922–34), as well as the piano and orchestration with Emilios Riadis in Thessaloniki (1928–29).

Contents

Yiannis Papaioannou Yiannis Papaioannou Greek Music Rempetika

In 1949 he visited major European music centres on a UNESCO grant and became familiar with new developments in music composition. In particular, in Paris he attended Arthur Honegger's class. Between 1951 and 1961 he taught music at an Athens high school and from 1953 he was professor of counterpoint and composition at the Hellenic Conservatory. He was the first president of both the Greek section of the International Society for Contemporary Music (1964–75) and the Hellenic Association for Contemporary Music (1965–75).

Yiannis Papaioannou A tribute to Yiannis Papaioannou Neos Kosmos

Papaioannou was the first musician to systematically teach atonal, 12-note and serial techniques before 1970. His compositional career falls into five main phases: Early Impressionist (1932–8), National School (1939–43), Hindemithian neo-classicism combined with elements of Byzantine music (1944–52), 12-note period (1953–1966) and the last period (1966–89) in which he developed an entirely personal technique.

Greek traditional music with flamenco by yiannis papaioannou


Works

  • Stage: Agnos (dramatic idyll, 1937); Sklavas lytrossi [Liberation of a Slave Woman] (choreographic tableau, 1945); Pirates (ballet, 1952); Himoniatiki fantasia [Winter Fantasy] (ballet, 1951); Antigone (ballet, 1965) etc.
  • Orchestral: 5 Symphonies.: 1946, 1947, 1953, 1963, 1964; Idhyllio [Idyll], 1938; O koursaros [The Corsair], 1939; Choreographic Prelude, 1940; 3 Piano Concertos, 1940, 1952, 1989; Poiema tou dhasous [Forest Poem], 1942; Vasilis Arvanitis, 1945; Triptych, str, 1947; Orthros ton psychon [Matin of Souls], 1947; Pygmalion, 1950; Hellas (P.B. Shelley), nar, orch, 1956; Images d’Asie, suite, 1961; India, suite, 1961; Meteorissi [Suspended in the Air], vc, orch, 1979 etc.
  • Vocal: Dafnis ke Chloi (G. Drossinis), chorus, orch/pf, 1933; I kidheia tou Sarpidhonos [The Funeral of Sarpedon] (cant., C. Cavafy), 1966; O fotofraktis [The Aperture] (A. Embeirikos: Octana), 1982; Encomium (Kotsiras), 1984–5; I logosteméni psychi [The Exhausted Soul] (O. Votsi), 1986; 2 Songs (G. Byron), 1989 etc.
  • Chamber and Solo instrumental: Nocturno, 1935; Burlesca, 1936; I parlata tou Arlekinou (La parlata d’Arlecchino) [the Harlequin's Speech], tuba, 1971; Halkografia [Engraving], hn, pf, 1977; Dioyssiakon [Dionysiac], db, 1978; Erotiki exomologhissi tou Minotavrou [Love Confession of the Minotaur], tuba, pf, 1978; Aétoma, 1987; Caryatid, 1987; Sonata, 1988 etc.
  • References

    Yiannis Papaioannou Wikipedia