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Xia Yan

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Native name
  
夏衍

Period
  
1935-1995

Language
  
Chinese

Name
  
Xia Yan


Nationality
  
Chinese

Role
  
Playwright

Alma mater
  
Zhejiang University

Education
  
Zhejiang University

Xia Yan httpsuploadwikimediaorgwikipediacommonsthu

Born
  
Shen Naixi October 30, 1900 Yuhang County, Zhejiang (
1900-10-30
)

Occupation
  
Playwright, screenwriter, translator

Died
  
February 6, 1995, Beijing, China

Awards
  
Hundred Flowers Award for Best Screenplay

Movies
  
Children of Troubled Times, Spring Silkworms, The Lin Family Shop, New Year's Sacrifice, A Revolutionary Family

Similar People
  
Mao Dun, Tian Han, Cai Chusheng, Lu Xun

Born to win champion by yong xia yan


Xia Yan (Chinese: 夏衍; pinyin: Xià Yǎn; Wade–Giles: Hsia Yen; 30 October 1900 – 6 February 1995) was a Chinese playwright and screenwriter, and China's Deputy Minister of Culture between 1954 and 1965.

Contents

Among the dozens of plays and screenplays penned by Xia Yan, the most renowned include Under the Eaves of Shanghai (1937) and The Fascist Bacillus (1944). Today the Xia Yan Film Literature Award is named in his honour.

Personal life

Xia entered Zhejiang Industrial School (浙江甲種工業學校 , a technical school of Zhejiang University) in 1915, five years before being sent to study in Japan. He was forced to return in 1927, two years after graduating with an engineering degree.

Political career

On Xia's return in 1927 — expelled by Japanese authorities for his political activity — he joined the Communist Party of China and rose to become a cultural chief in the Shanghai municipality, and then Deputy Minister of Culture in 1954.

In 1961, Xia wrote an essay called "Raise Our Country's Film Art to a New Level". The essay, implicitly critical of the Great Leap Forward, called for greater autonomy for artists and more diversity within Chinese cinema. The implementation of his directives is said to have led to the achievement of a "tremendous diversity" which lasted until the Cultural Revolution.

Xia is credited with introducing Soviet cinema to China, and helped to establish a realist tradition that emphasised active engagement with national issues, leaving a strong legacy that continued into the post-Mao era.

Xia's political career ended in 1965, when he was removed from office and spent eight years in prison during the Cultural Revolution.

References

Xia Yan Wikipedia