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Wu Ma

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Chinese name
  
午馬 (traditional)

Occupation
  
Actor, director

Chinese name
  
午马 (simplified)

Name
  
Wu Ma


Pinyin
  
Wu Ma (Mandarin)

Role
  
Actor

Jyutping
  
Ng5 Maa5 (Cantonese)

Spouse
  
Ma Yan (m. ?–2014)

Wu Ma RIP Wu Ma 19422014 Mike Fury

Birth name
  
馮宏源 (Traditional)冯宏源 (Simplified)Feng Hongyuan (Mandarin)Fung4 Wang4jyun4 (Cantonese)

Died
  
February 4, 2014, Hong Kong

Nominations
  
Hong Kong Film Award for Best Supporting Actor, Hong Kong Film Award for Best Director

Movies
  
A Chinese Ghost Story, Mr Vampire, Exorcist Master, A Chinese Ghost Story II, Mr Vampire IV

Similar People
  
Lam Ching‑ying, Sammo Hung, Yuen Biao, Chang Cheh, Ti Lung

Fung Wang-yuen (22 September 1942 – 4 February 2014), better known by his stage name Wu Ma, was a Hong Kong actor, director, producer and writer born in Tianjin, Republic of China. Wu Ma made his screen debut in 1963, and with over 240 appearances to his name (plus 49 directorial credits within a fifty-year period), he was one of the most familiar faces in the history of Hong Kong Cinema and best known as the Taoist ghosthunter in A Chinese Ghost Story.

Contents

Wu Ma HKSAR Film No Top 10 Box Office 20140205 WU MA39S

The early years

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Wu was born Feng Hongyuan in Tianjin. At 16 he moved to Guangzhou and became a machinist before migrating to Hong Kong in 1960. In 1962, Wu enrolled in the Shaw Brothers acting course. Graduating a year later, he became a contract player for the studio and made his first appearance in Lady General Hua Mu-lan. He then appeared in such films as Temple of the Red Lotus (1965), The Knight of Knights (1966) and Trail of the Broken Blade (1967). He took on the stage name 'Wu Ma' as it reflected the animal in the year of his birth (the horse), and believed it was short enough for audiences to remember.

Wu Ma Wu Ma

During an interview, Wu explained that he had stumbled upon directing when he was offered an unexpected trip to Japan for a movie. The film's original assistant director was unable to clear his visa in time, and Wu was called upon to take his place. After the experience, Wu decided to become a director.

The 1970s

Wu Ma Hong Kong actor Wu Ma died at the age of 71 this morning1

In 1970, Wu became a director in his own right. His directorial debut, Wrath of the Sword, was released the same year. In 1971, Wu released one of his seminial works, The Deaf And Mute Heroine. He concentrated on directing in the 1970s, directing several movies – such as Young Tiger (1973) and Wits To Wits (1974). Wits To Wits has been noted as one of the precursors of the knockabout comedy kung fu genre that was later made famous by Sammo Hung and Jackie Chan. Another movie Wu directed, Manchu Boxer (1974), featured Sammo Hung, then a young choreographer and later one of the trend-setters of Hong Kong cinema. This marked the beginning of a strong working relationship between the two, which would become prominent towards the 1980s. He co-directed with his former mentor Chang in several movies – The Water Margin (1972), The Pirate (1973), All Men Are Brothers (1975) and The Naval Commandos (1976).

While most of his output during this period was as a director, Wu continued to appear as an actor and appeared both in his own movies and in several others, although his roles were generally limited to small appearances. During the mid-1970s, Wu joined a small exodus who were leaving Shaw Brothers due to corruption within the studio and became an independent director. Despite becoming an independent director, Wu was still able to work closely with some Shaw Brothers stars such as Ti Lung (The Massive (1978)).

The 1980s

As the 1970s and the era of the martial arts film wound down, Wu Ma's output as a director also slowed. His acting output, however, increased as he became increasingly well known as a character actor. Wu had made appearances in Sammo Hung's 1970s movies (such as Iron Fisted Monk), his association with Hung began in earnest in the early 1980s. Wu appeared in Encounters of the Spooky Kind (1980). Throughout the 1980s, Wu and Hung had a close working relationship, often with Wu as the director and Hung as the producer (such as My Cousin The Ghost (1986)). Wu worked in Hung's production company Bo Ho as the production manager, and made appearances in Hung-directed films during the 1980s, including Millionaire's Express (1986) and Wheels on Meals (1984).

Towards the mid-1980s, Wu became one of the most prolific character actors in Hong Kong, his now-rubbery face able to shift effortlessly across a spectrum of emotions. During the 1980s, he received three Hong Kong Film Award nominations for Best Supporting Actor – for Righting Wrongs (1986), where he played a policeman having to deal with his son's death; A Chinese Ghost Story (1987) as Yin Chek-Ha; and in The Last Eunuch in China (1988), as Lord Ting. He began a working relationship with Tsui Hark, and appeared in several of Hark's movies. Aside from A Chinese Ghost Story, Wu also appeared in the earlier Peking Opera Blues (1986).

After A Chinese Ghost Story, said by Wu to be amongst his favourite movies, Wu began to focus on the supernatural genre. Much of his directorial efforts after 1987 were within that genre, such as Portrait of a Nymph (1988), Burning Sensation (1989) and Fox Legend (1991).

1990s

Wu continued his working relationship with Hark, and appeared in Once Upon A Time in China (1991) and The Swordsman (1991). The early 1990s were an especially prolific period in Wu's career – with Wu appearing in over 14 movies during one year. As the Hong Kong film industry began to slump, Wu's career also slowed considerably. After appearing in High Risk (1995), many of his appearances were either in low-budget movies or in television series.

Death

Wu was diagnosed with lung cancer and it was announced that the disease started to spread ten months ago. His wife stated that "He have enjoyed every precious minute with his family, which explained that he had casually walked his path with pride and dignity." He died peacefully at his home in Hong Kong on 4 February 2014 at the age of 71.

References

Wu Ma Wikipedia


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