Wrath of the Math

Album information

The album was completely produced by DJ Premier and continues the themes of Afrocentricity, preserving hip-hop culture, and more about the harms of materialism that were discussed on The Sun Rises in the East.

In its liner notes, it even says, "This album was created to SAVE hip-hop and the minds of the people who listen to it." One significant track that intends to uphold Jeru's vision of hip hop is "One Day," where Jeru tells a story of Puff Daddy, Foxy Brown, and Bad Boy Records kidnapping somebody named Hip-Hop. The Notorious B.I.G. took offense to the song, being that he was signed to Bad Boy Records, and closely affiliated with Puff Daddy and Foxy Brown. Biggie retaliated by throwing subtle jabs at Jeru in the song "Kick in the Door" (which was also aimed at other rap artists as well.) The track "Me or the Papes" contains aim for Puff Daddy, Jeru stating, “My name ain't Puff, I ain't got loot to waste,” to which Puff Daddy didn't respond.

It contains many tracks that are sequels to songs on Jeru's debut album such as "Revenge of the Prophet (Part 5)," "Me or the Papes," and "Physical Stamina," featuring Afu-Ra, the one guest emcee, as he was on Jeru's debut album.

Reception

The album was well-received, but was not as critically acclaimed as his debut album. John Bush of Allmusic was one of the few critics who felt that it was just as strong as Jeru's debut album.

Entertainment Weekly (1/10/97, p. 58)—"Combined with DJ Premier's head-bobbing minimalist funk, Jeru tells it like it is like no other." Rating: B+

Vibe (11/96, p. 153)—"Armed with a prophet's sense of social responsibility, Webster's vocab, and the best beats in the business.... Jeru's at his best...when he fights playa-ism with its most potent weapon: sharply visual, action-packed narrative."

The Source (11/96, p. 132)—3 Mics: Good—"Returning with an unabashed intolerance for the artistic moves of some well-known rap figures...Jeru the Damaja proves that his musical compositions are too mentally stimulating to be ignored."

Melody Maker (12/21-28/96, pp. 66–67)—Ranked #43 on Melody Maker's 1996 list of Albums of the Year.

Track listing