Wizball

Gameplay

Wizball is set in the once colourful realms of Wizworld, where the evil Zark has stolen all the colour, making it dull and gray. It is up to Wiz and his cat Nifta to restore it to its former brilliance as Wizball and Catellite.

Wizball is a scrolling shooter inspired by Gradius with an additional collection dynamic. It is a horizontally scrolling game taking place over eight levels, which involves navigating around a landscape and shooting at sprites. However, the aim of the game is to collect droplets of coloured paint to colour the level. Each level starts off as monochromatic, drawn in three shades of grey, and needs three colours (red, blue, and green) to be collected to complete it. The player, a wizard who has taken the form of a green ball, can navigate between the levels through portals. At first the wizard only has access to the first three levels, but completing levels gains access to further levels. Each level has bouncing spheres of a different colours, and shooting them releases droplets, which may be collected. At the same time, each level needs a different colour to be added, which can be composed by collecting sufficient quantities of the correct colours. On later levels, the spheres of paint start shooting bullets, further adding to the challenge.

The wizard himself is not capable of collecting paint droplets, and is initially capable of very limited movement, bouncing up and down at a fixed rate, with the player only controlling a speed of rotation, and thus how fast it will move horizontally after next touching the ground. Collecting green bubbles (which appear when certain types enemies have been shot) gives the player tokens which can be used to "buy" enhancements, such as greater control over movement and improved firepower. It also allows the option to summon the companion known as Catellite. Catellite (ostensibly the wizard's cat) which is also spherical in form normally follows the wizard, but it can also be moved independently by holding down the fire button whilst moving the joystick (which meanwhile renders the wizard uncontrollable). Only Catellite is capable of collecting paint droplets and the player has to use it to do so. In the two-player co-op mode, Catellite is controlled by the second player.

Development

In an interview from 1987 the developers said that development of Wizball was originally started before their previously launched shooter Parallax, but that it was put on hold since they managed to code the parallax scrolling routine used in that game. They also said that they were trying to present new concepts in a familiar way, also that they wanted a company to release it that could give it "a bit of hype".

In a more recent interview with Retro Gamer, Jon Hare said that the idea began as a Nemesis inspired shooter and that it began with the ball and the control method. The ball came first, the Wizard storyline was tagged on at the end.

Wizball was put together in a very organic way, and not really planned in the way modern games are

In 2007 the now defunct retro gaming fanzine Retrogamer, wrote on Wizball

What makes a good game? Sensisoft believed the following were essential criteria:

1. A well thought out totally watertight universe in which to operate.
2. A defined and logical set of rules.
3. A brilliant control system.
4. Just the right balance between what the computer does automatically for you, and what you have to do for yourself.
5. High `easy to play, difficult to master' factor.
6. Non linearity and hidden depth to keep you coming back for more.
7. To suck you in to the extent that your psychology is altered so that you think you really were within the game.

Which were all part of the greatest Sensi game known as "Wizball".

Versions

The Commodore 64 version is the original by Sensible Software. The Atari ST and Amiga versions were ported by Peter Johnson and other versions coded by yet other teams. On the Commodore 64 version, enemy waves spawn in groups, with 4 or 5 on the landscape at a time, at least one of which is always colour spheres; this made the game extremely difficult, but allowed the player to preferentially hunt the spheres if they needed only a small amount of colour to complete their current combination. The Amiga and Atari ST versions spawn only one wave at a time, which makes the game easier, but requires the player to "grind" until a wave of colour spheres is chosen to spawn.

More recently in 2007, the game's 20th anniversary year, a remake for Windows and macOS operating systems has been produced by Graham Goring. The gameplay of the remake is based on the Commodore 64 version but contains updated graphics, music and sound effects.

Sequel

In 1992, Sensible Software developed a sequel Wizkid: The Story of Wizball II which was also released by Ocean Software. Although the story in Wizkid continues directly from Wizball, the actual games are only superficially related to each other.

Reception

The game has been heralded as one of the best ever original games to appear on the Commodore 64, it is noted for its originality and use of the C64 hardware via graphics, sound and general presentation. The control method has also been described as innovative, initially awkward, but adding to the playability when mastered. The readers of Retro Gamer in 2011 selected it as the second best game ever made for the platform:

Quite possibly one of the most beautifully crafted C64 games that you’ll ever have the privilege to play.

The game was awarded a Sizzler award in the July 1987 issue of Zzap!64 magazine with a rating of 96%, missing out on a "Gold Medal". In November the following year Wizball was selected by the same magazine the number one Shoot 'em Up for the Commodore 64, giving it a rating of 98% and a month later went on to be crowned the best game ever by Zzap!64, which Jon Hare has stated is one of his proudest career moments, but at the same time that they were disappointed by the sales of the title, attributing it to the marketing of Ocean Software.

In a 2002 Zzap!64 tribute publication, Wizball via a community vote was ranked the second best C64 game ever with the comment "How it missed a Gold Medal back in issue 27 is beyond us". In a second Zzap!64 tribute in 2005, Gary Penn, editor at the magazine at the time of the game's publication was quoted to say:

Distinctive, distinguished, highly playable, audibly accomplished, witty, challenging, satisfying... As was the case with all reviewer's mood on the day played a part - and I must have been really pissy. It should have gotten a Gold Medal.

The Spectrum and 16 bit versions generally garnered favorable reviews, with Sinclair User giving it a perfect 10 and The Games Machine awarding the Amiga and Atari ST versions 87% and 84% respectively.