Name William Franke | Role Philosopher | |
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Books Secular Scriptures: Modern T, A Philosophy of the Un, Poetry and apocalypse, Dante's interpretive journey, Revelation of Imaginati | ||
William franke on method and mysticism in intercultural philosophy
William Franke is an American academic and philosopher, professor of Comparative Literature at Vanderbilt University (formerly and concomitantly Professor Catedrático and Head of Philosophy and Religions at the University of Macau, 2013-2016). His main exposition of his philosophical thinking is A Philosophy of the Unsayable (2014), a book which dwells on the limits of language in order to open thought to the inconceivable. On this basis, the discourses of myth, mysticism, metaphysics, and the arts take on new and previously unsuspected types of meaning. This book is the object of a Syndicate Forum and of a forthcoming collective volume of essays by diverse hands (see below). It is based on Franke's two-volume On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature, and the Arts (2007), which reconstructs in the margins of philosophy a counter-tradition to the thought and culture of the Logos. Franke extends his apophatic philosophy in an intercultural direction, entering the field of comparative philosophy, with Apophatic Paths from Europe to China: Regions Without Borders.
Contents
Biography
Franke holds degrees in philosophy and theology from Williams College and Oxford University and in comparative literature from UC Berkeley and Stanford (Ph.D. 1991). He lectures and teaches in English, German, French, and Italian. He is a research fellow of the Alexander von Humboldt-Stiftung and a senior fellow of the International Institute for Hermeneutics (IIH). He has been Fulbright-University of Salzburg Distinguished Chair in Intercultural Theology and the Study of Religions. He is a member of "HolyLit: Religion and Literature," of the Freie Universität Berlin and Harvard University and has been a member of the Dante Society Executive Council by general election of the Dante Society of America.
Work
Franke’s philosophical work intertwines with his production as a theorist in comparative literature. His interdisciplinary approach centers on Dante’s Divine Comedy read as theological revelation in poetic language. His book, Dante’s Interpretive Journey (1996) constructs an interpretation of the Comedy in dialogue with German hermeneutic theory (Heidegger, Gadamer, Fuchs, Ebeling, Bultmann). The sequel, Dante and the Sense of Transgression: The Trespass of the Sign (2012), complements it by bringing the Comedy into dialogue with contemporary French thought of difference (Bataille, Blanchot, Barthes, Levinas, Derrida). While using the instruments of contemporary literary theory to read Dante’s poem, these books also leverage Dante’s medieval theological vision in order to level critiques against modern thinking forgetful of its grounds in sources that transcend rational justification and can only be imagined.
Franke's work of speculative criticism powered by philosophical reflection is shaped into a comprehensive poetics of revelation starting with Poetry and Apocalypse: Theological Disclosures of Poetic Language (2009). This involves a construction of Christian epic tradition extending backward from James Joyce to Dante’s essential source texts in antiquity and the Middle Ages with The Revelation of Imagination: From the Bible and Homer through Virgil and Augustine to Dante (2015). Moving in the opposite direction, Secular Scriptures: Modern Theological Poetics in the Wake of Dante (2016) traces the inheritance of Dante’s theological vision forward into the modern era of secularized prophetic poetry and poetics. These critical interventions are at the same time theoretical employments of literature to engage certain of the chief intellectual problems of our own time, beginning from the status of knowledge as science and as revelation.
Franke has published well over a hundred essays and articles of philosophical and theological interpretations of literature ranging from the biblical prophets and classical poets to Shakespeare and Milton, Dickinson, Baudelaire, Edmond Jabès, and Paul Celan. These essays deal also with theoretical topics such as dialectical and deconstructive logic, figurative rhetoric, psychoanalysis as a hermeneutics of subjectivity, postsecular critical reason, and cultural theory in the wake of the death of God. Those of a more literary-critical bent include interventions on the canon debate, world literature, postcolonial ethics, and postmodern (non)identities.