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West of Memphis

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Amy J. Berg

Initial DVD release
May 22, 2013 (Argentina)

New Zealand United States





West of Memphis movie poster

Release date
January 21, 2012 (2012-01-21) (Sundance) December 28, 2012 (2012-12-28)

Amy Berg, Billy McMillin

Initial release
November 22, 2012 (Portugal)

Amy J. Berg, Peter Jackson, Damien Echols, Lorris Davis, Fran Walsh

Jason Baldwin
Julie Ann Doan
Damien Wayne Echols
Pam Hobbs
Jessie Misskelley
Lorri Davis

Similar movies
Paradise Lost: The Child Murders at Robin Hood Hills (1996)

West of memphis movie clip 4 2012 west memphis 3 movie hd

West of Memphis is a 2012 New Zealand-American documentary film directed and co-written by Amy J. Berg, produced by Peter Jackson and Damien Echols, and released in the US by Sony Pictures Classics to critical acclaim.


West of Memphis movie scenes


West of Memphis movie scenes

As with the Paradise Lost film and its two sequels, West of Memphis follows the events of the West Memphis Three, a case in which three teenagers (Jessie Misskelley, Damien Echols and Jason Baldwin) were arrested for the murders of three 8-year old children.

West of Memphis movie scenes

The West Memphis Three were subsequently convicted of murder and remained in prison for more than 18 years. West of Memphis focuses on Terry Hobbs, stepfather of Stevie Branch, one of the victims of the 1993 crime, as a potential suspect due to physical evidence linking him to the crime, a history of violent behavior and his lack of an alibi for the time the murders were committed, as well as damaging statements made by his ex-wife, former neighbors, and most recently his own nephew, who claims Hobbs confessed to him. The film reveals that inexplicably Terry Hobbs was not interviewed by police at the time of the murders.


Since the 1996 release of the HBO Joe Berlinger and Bruce Sinofsky documentary, Paradise Lost: The Child Murders at Robin Hood Hills, supporters protested the innocence of the West Memphis Three. Much like the Paradise Lost films, West of Memphis chronicles the history of the imprisoned men all the way up to the eventual release through interviews conducted with lawyers, judges, journalists, family members, witnesses, and the West Memphis Three themselves. With the January 2012 HBO premiere of the third Paradise Lost film, Paradise Lost 3: Purgatory, there were two documentary films on the subject within a year.

West of Memphis premiered at the Sundance Film Festival on January 21, 2012, at the Deauville American Film Festival on September 2, 2012, and at the Toronto International Film Festival on September 8, 2012.

Critical reception

Writing in The Wall Street Journal, film critic Joe Morgenstern described West of Memphis as "a devastating account of police incompetence, civic hysteria and prosecutorial behavior that was totally at odds with a vastly persuasive body of evidence uncovered in a privately funded investigation". Director Amy Berg, wrote Morgenstern, "has a dramatist's eye for what was irretrievably lost — the innocent lives of the children, plus 18 years of three other innocent lives. And she saw, equally well, what was there to be gained: dramatic new insights into an inexorable progression from random arrests through groundless supposition, fevered conjecture and flagrant perjury to official disgrace in a supposedly airtight case."

Film critic Philip French of The Observer called West of Memphis "riveting", and a "shocking indictment of the American criminal justice system and a tribute to the dedication of selfless civil rights lawyers and their supporters from all over the world".

Owen Gleiberman of Entertainment Weekly gave the movie an "A-" and wrote that "the film casts a hypnotic spell all its own. It artfully sketches out the events for anyone who's coming in cold, but basically, its strategy is to take what we already know and go deeper. ... West of Memphis goes after another possible suspect, Terry Hobbs, who was stepfather to one of the victims and who has denied any involvement. In doing so, the film reframes the story's terrible darkness, even if it can't give us the closure we hunger for."

Roger Ebert of Chicago Sun-Times gave the film a perfect four star rating, saying: "Do we need a fourth film? Yes, I think we do. If you only see one of them, this is the one to choose, because it has the benefit of hindsight."


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