West Ryder Pauper Lunatic Asylum

History

"Vlad the Impaler" was made available as a free download from the official website from 31 March to 3 April 2009. The first proper, physical release from the album was "Fire", which was released on 1 June. Sergio Pizzorno has called the 52-minute album "the soundtrack to an imaginary movie." The album includes a duet, on the track "West Ryder Silver Bullet", with the actress Rosario Dawson. The album entered the UK Album Chart at No. 1, giving the band their second No. 1 album. "Underdog" has been used by Sony in a commercial for their BRAVIA Televisions.

Theme

The West Riding Pauper Lunatic Asylum was a group of mental institutions built in West Yorkshire, England in the 1880s. Sergio Pizzorno further explained the choice of album title: "The album isn't about the place, I just first heard about it on a TV documentary, and the words just struck me. I love the way it looked and the feeling it evokes. Apparently, it was one of the first loony bins for the poor, before that it was mainly rich people who got treatment." The album cover depicts the band "getting dressed up for a party at the asylum, looking in the mirror at the costumes". Inspiration for such cover originated from the artwork of Amon Düül II's album Made in Germany. In an interview with T4, the band said that each track is meant to represent an inmate within the asylum.

Critical reception

West Ryder Pauper Lunatic Asylum received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 68, based on 15 reviews.

Adam Sweeting of Uncut praised the band for putting a lot more depth into their sound while delivering the songs with a dark undertone to them, calling it "A world away from their ladrock roots, you might say." Dave Simpson of The Guardian also gave praise to the band's newfound demented sound, noting that their trademark tracks are more melodic and utilize different instrumentals, concluding that "the resulting epic is barmy and beautiful, suggesting that while Kasabian's amps go up to 11, they can also sound good when they're turned down to four." Hamish MacBain of NME praised the album's mishmash of psychedelic-infused tracks resembling that of The Rolling Stones' Their Satanic Majesties Request, calling it "a shambling, splattered, ultimately much more enduring mess that will make sense if you just hang on in there."

Andrew Leahey of AllMusic commended the band for improving on their previous effort with a psychedelic sense and horror-like atmosphere mixed with their usual dance-rock sound, calling it "an interesting, unexpected piece of work, devoid of a militantly commercial single like Empire's self-titled track, and lacking the shaggy Madchester vibes that Christopher Karloff brought to 2004's Kasabian." While praising tracks like "Fast Fuse" and "Ladies and Gentlemen (Roll the Dice)" for deviating away from their Madchester sound into more '60s sounding bands like the Stones and T-Rex, Dom Gourlay of Drowned in Sound criticized the album for carrying half thought-out tracks with production that apes the sounds of other well-known Britpop bands, saying that it "suffers in the most part for being so predictable." Bill Stewart of PopMatters felt the album was bogged down by the band's pretentious, instrumental choices and studio handling, saying that "All the gimmicky studio effects in the world can't mask the fact that this album is likely to be one of the most hollow you'll hear all year."

Track listing

All tracks written by Sergio Pizzorno, except where noted.

Personnel

Singles and videos