I enjoy creating and spreading knowledgeable content for everyone around the world and try my best not to leave even the smallest of mistakes go unnoticed.
Werner Hofmann (art historian)
Updated on
Edit
Like
Comment
Share
Sign in
Name
Werner Hofmann
Role
Journalist
Books
Grundlagen der modernen Kunst. Eine Einfuhrung in ihre symbolischen Formen
People also search for
Werner Haftmann, Henri Laurens, Rainer Crummenerl, Udo Kultermann
Werner Hofmann (August 8, 1928 in Vienna - 13 March 2013 in Hamburg) was an Austrian art historian, cultural journalist, writer, curator and museum director, who is "considered by his colleagues as one of the most distinguished European scholars of modern art and its ideology."
Hofmann was the son of Leopold Hofmann and Anna Visvader. From 1947 to 1949, he studied art history at the universities of Vienna and Paris, where he completed a Ph.D. dissertation on the "Graphische Gestaltungsweise von Honoré Daumier". From 1950 to 1955 he worked as an assistant at the Albertina in Vienna. At that time, he was also a visiting professor at Barnard College, Columbia University in New York. In 1960, he published his groundbreaking study on 19th-century European art, Das Irdische Paradies: Kunst im 19. Jahrhundert, which was soon translated into English. In it, he explained 19th-century art out of its opposing themes rather than in a chronological manner. In 1964 he was a visiting professor at the University of California at Berkeley.
In 1962, Hofmann was the founding director of Vienna's Museum of the 20th Century, which he ran until 1969 - today mumok (Museum Moderner Kunst Stiftung Ludwig Wien). From 1969 to 1990 he was director of the Hamburger Kunsthalle. From 1981 to 1982, he held a visiting professorship at Harvard University in Cambridge, Massachusetts.
Hofmann curated famous "Kunst um 1800" exhibitions at the Hamburger Kunsthalle on Caspar David Friedrich, Philipp Otto Runge, William Blake, Henry Fuseli, John Flaxman, J. M. W. Turner and Francisco de Goya and also exhibitions on contemporary artists such as Franz Erhard Walther, Joseph Beuys and Georg Baselitz, which are "regarded as milestones in the history of exhibitions at the Hamburger Kunsthalle and for German art museums."
Hofmann is known for having connected two schools of art history: the Vienna School with the Hamburg School. According to the Dictionary of Art Historians, his "work was highly interdisciplinary, drawing examples from music, philosophy and literature to elucidate what were in many cases well-known works of art in new ways. This non-linear, a-historical (but not anti-historical) view of art history influenced a generation of modernist art historians who viewed their art works thematically rather than as a series of style changes."
Still full of energy and having a new project on "Kunstkammern" and Julius von Schlosser's work on the same subject in mind, Hofmann died of a heart attack in a hospital.
