Tripti Joshi (Editor)

Wendy Kesselman

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Name
  
Wendy Kesselman

Role
  
Playwright


Plays
  
My Sister in this House

Movies
  
A Separate Peace

Wendy Kesselman Wendy Kesselman Playbill

Books
  
Slash; an Alligator's Story

Awards
  
Guggenheim Fellowship for Creative Arts, US & Canada, Writers Guild of America Award for Best Children's Script

Nominations
  
Daytime Emmy Award for Outstanding Children/Youth/Family Special

Similar People
  
Murray Schisgal, Peter Yates, Michael Sugar, Enrique Murciano, JB Sugar

Wendy Kesselman is an American playwright.

Contents

Life

Wendy Kesselman came to the Actors Theater of Louisville in 1980. She lives in Wellfleet, Massachusetts.

Awards

She won the 1981 Susan Smith Blackburn Prize, for My Sister in this House.

Works

  • Becca, 1977
  • Maggie Magalita. Samuel French, Inc. 1987. ISBN 978-0-573-69017-4. , 1980
  • Merry-Go-Round, 1981
  • My Sister In This House. Samuel French, Inc. 1988. ISBN 978-0-573-61872-7. , 1981
  • I Love You, I Love You Not, 1982
  • The Juniper Tree: A Tragic Household Tale. Samuel French, Inc. 1985. ISBN 978-0-573-61113-1. , 1982
  • Cinderella In A Mirror, 1987
  • The Griffin, And The Minor Cannon, 1988
  • A Tale Of Two Cities, 1992
  • The Butcher's Daughter, 1993
  • The Diary Of Anne Frank, 1997 (adaptation)
  • The Last Bridge, 2002
  • The Notebook. Dramatists Play Service, Inc. 2004. ISBN 978-0-8222-1906-4. 
  • The Black Monk, 2008
  • Olympe And The Executioner
  • Film

  • I Love You, I Love You Not, 1997
  • Sister, My Sister, 1994
  • Reviews

    WENDY KESSELMAN'S My Sister in This House begins as a cool, black satire of provincial bourgeois life, turns into a macabre tale of incestuous homosexual love and ends with an explosion of Grand Guignol violence. If this play sounds discomforting, it is - and it means to be. Miss Kesselman's subject is repression -social, sexual, religious and political - and the havoc it wreaks on its victims. The author's feelings run so strong that she'll burn down the theater if that's what it takes to get the audience to see her point of view.

    References

    Wendy Kesselman Wikipedia