Name Vittorio Storaro Role Cinematographer | Children Fabrizio Storaro | |
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Nominations American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases Movies Apocalypse Now, The Last Emperor, The Conformist, Last Tango in Paris, Reds Similar People | ||
Cinematographer vittorio storaro
Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940) is an Italian cinematographer widely recognized for his work on numerous classic films including Apocalypse Now, The Conformist, and The Last Emperor. In the course of over fifty years, he has collaborated with directors like Francis Ford Coppola, Bernardo Bertolucci, Paul Schrader, Warren Beatty, and Woody Allen. He has been the recipient of three Academy Awards for Best Cinematography, a BAFTA Film Award for Best Cinematography, a Primetime Emmy Award, a Goya Award, and a David di Donatello Silver Ribbon Award, in addition to numerous lifetime achievement honours from various film organizations.
Contents
- Cinematographer vittorio storaro
- Understanding the cinematography of vittorio storaro
- Life and career
- References
In 2003, a survey conducted by the International Cinematographers Guild judged Storaro one of history's ten most influential cinematographers, and he is considered one of the greatest and most acclaimed directors of photography of all time.
Understanding the cinematography of vittorio storaro
Life and career
Storaro was born in Rome. The son of a film projectionist, Storaro began studying photography at the age of 11. He went on to formal cinematography studies at the national Italian film school, Centro Sperimentale di Cinematografia, when he was 18. Working as a camera operator for many years, he was on his first film as cinematographer for Giovinezza, Giovinezza (Youthful, Youthful) in 1968. In 1970, he photographed L'uccello dalle piume di cristallo (The Bird with the Crystal Plumage), the first film directed by Dario Argento.
He has worked with many important film directors, in particular Bernardo Bertolucci, with whom he has had a long collaboration, as well as Francis Ford Coppola, Carlos Saura and Warren Beatty.
His credits include 1900, The Conformist, Last Tango in Paris, The Last Emperor, Dominion: Prequel to the Exorcist, Apocalypse Now, One From the Heart, Reds, Dick Tracy, Bulworth, The Sheltering Sky, Tucker: The Man and His Dream, Ladyhawke, Tango and Goya en Burdeos. He was also cinematographer for a BBC co-production with Italian broadcaster RAI of Verdi's Rigoletto over two nights on the weekend of 4 and 5 September 2010.[1]
Storaro’s first mainstream American film was Apocalypse Now, directed by Francis Ford Coppola in 1979, for which Storaro won his first Oscar. Coppola gave Storaro free rein on the film's visual look and it is regarded by many critics as one of the most visually spectacular films of all time. He has also received Oscars for Reds (1981) and The Last Emperor (1987). Dick Tracy (1990) garnered him a fourth nomination.
Storaro is widely regarded as a master cinematographer with a sophisticated philosophy largely inspired by Johann Wolfgang von Goethe's theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations. With his beloved son, Fabrizio Storaro, he created the Univisium format system to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1. In 2002, Storaro completed the first in a series of books that attempt to articulate his philosophy of cinematography more substantively.
Storaro is known for stylish, fastidious, and flamboyant personal fashion. Francis Ford Coppola once noted that Storaro was the only man he ever knew that could fall off a ladder in a white suit, into the mud, and not get dirty.
