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Wings poetry of valentino bellucci reciter of susanna polzoni
Valentino Bellucci (Weinheim, 1975) is an Italian philosopher, sociologist, poet, painter and essayist.
Contents
- Wings poetry of valentino bellucci reciter of susanna polzoni
- La parola poesia di valentino bellucci voce susanna polzoni
- Biography
- Thought
- Works
- References
La parola poesia di valentino bellucci voce susanna polzoni
Biography
He taught "History and critical analysis of the video-theater" at the Academy of Fine Arts in Macerata. He is teacher of history and philosophy at the Italian high schools and cooperates with seminars at the University of Urbino. After studying with the Orientalist Icilio Vecchiotti, he dedicated himself to the oriental culture, especially to the Vaishnava Bhakti tradition, exploring the epistemological, historical and psychological aspects. He devotes himself to an intensive information activitiy, concerning the philosophy and sociology, with his publications and conferences. As painter, he follows in particular the figurative school of Pietro Annigoni. Some of his works are displayed in some churches in the Marche region. In 2003 he met Giovanni Raboni who rewarded him for a poetic composition. His poems were recited by the actor Walter Maestosi.
Thought
He developed the existential themes of mysticism, both in the Western philosophical and religious tradition and in the Vaishnava Bhakti one; in the essay “Lo yoga devozionale indiano” (The Indian devotional yoga) he explains the social importance of the spirituality as existential journey rather than as institutionalized dogma. From a sociological point of view his analysis focused on the origins of the ancient Vedic culture; in his essay about Varna he shows how the ills of modern society derive from the break with the great traditional civilizations; therefore the historical and epistemological paradigms have to be rethought in the light of the ancient wisdom. Furthermore, he investigated on the origins of Christianity, inspired by the work of Mario Canciani, identifying lost lifestyles and teachings. Bellucci proposes a critical recovery of ancient civilizations whose knowledges have a considerable social and individual value. His historical and sociological analyzes lead him to consider modernity as a mystification, a kind of collective self-deception that the society cultivates since the atheist and materialist Enlightenment; this mystification derives from an a priori rejection of the sacred, the divine, in order to follow the idols of technic and advanced capitalism. In this sense his investigation continues following in the footsteps of scholars as Jean Servier and Marcel de Corte.