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4/5 Audiobooks Originally published 2011 | 3.4/5 Goodreads 5/5 Barnes & Noble | |||||||||||||||||||||||||||||||||
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Similar Yo‑Yo Boing!, Empire of Dreams, The Recognitions | ||||||||||||||||||||||||||||||||||
Ground zero part 1 of united states of banana mov
United States of Banana is a 2011 postcolonial work of fiction by the Puerto Rican poet Giannina Braschi. It is a mixed-genre work which blends experimental theater, prose poetry, short story, and essay with a manifesto on democracy and American power in a post–September 11 world. The postmodern book narrates the author's violent displacement from her home in the Battery Park neighborhood in New York City.
Contents
- Ground zero part 1 of united states of banana mov
- Giannina braschi s death of the businessman from united states of banana continued 3 mov
- Part One Ground Zero
- Part Two United States of Banana
- Film and theater productions
- References
Giannina braschi s death of the businessman from united states of banana continued 3 mov
Part One: Ground Zero
Part One, entitled "Ground Zero," offers a poetic critique of 21st century capitalism and corporate censorship with its depictions of New York City before and during the September 11 attacks. Part One unfolds through a collection of metafiction, short stories, and essays on American culture since the collapse of the World Trade Center.
Part Two: United States of Banana
In Part Two, called "United States of Banana", the structure radically changes from a collection of fragmented works into an experimental theater work consisting of dramatic and philosophical dialogues. Historical literary characters Hamlet and Zarathustra join the author's alter-ego, Giannina, on a quest to liberate the Puerto Rican prisoner Segismundo from the dungeon of the Statue of Liberty where he has been held by his father, the King of the United States of Banana, more than 100 years prior for the crime of having been born. When the king remarries, he frees his son, and for the sake of reconciliation, makes Puerto Rico the fifty-first state and grants American passports to all Latin American citizens.
The experimental play dramatizes the plight of Latino prisoners in the United States, Puerto Rico's position as an American territory, and Braschi's struggle for liberty. By having the people of Puerto Rico vote on Segismundo's liberty, the work satirizes the three political options of Puerto Rico: statehood, nation, and colony.