Developed by Nickelodeon Voices of Carlos Alazraqui Original language(s) English Created by Joe Murray Written by Joe Murray | Directed by Joe Murray Country of origin United States Voice Carlos Alazraqui Director Joe Murray Executive producer Joe Murray | |
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Composer(s) Marshall Crutcher (original pilot version)
Pat Irwin (extended version) Genres Black comedy, Slapstick, Surreal humour, Satire Similar Rocko's Modern Life, SpongeBob SquarePants, Adventure Time, The Splat, Camp Lazlo | ||
Trash-O-Madness is a 1992 animated short (which began production in 1991). Created by Joe Murray, who, prior to this point, had made several independent animated shorts (including The Chore and My Dog Zero), as well as several MTV IDs, it was the pilot episode for what became Nickelodeon's 4th nicktoon, Rocko's Modern Life. The series ran for 4 seasons and 52 episodes, from 1993 to 1996. During the first season, a new version of the pilot, that was extended for the purposes of including it as a regular episode, was produced. The new version was paired up "The Good, the Bad, and the Wallaby" as the 10th episode to be produced, and aired as the 6th. In addition, that episode featured an extended end credit sequence to accommodate the names of production crew behind "Trash-O-Madness". On February 7, 2012, the original pilot version found its way onto Shout! Factory's season 2 DVD as a special feature.
Contents
Plot
Rocko and his Dog, Spunky, have to deal with taking out the trash, while also dealing with many other obstacles, including the local dog Earl.
Production
Joe Murray originally wrote "A Sucker for the Suck-O-Matic" as the pilot episode but the executives decided that Heffer might be "a little too weird for test audiences." Murray, instead of removing Heffer from "A Sucker for the Suck-O-Matic," decided to write "Trash-O-Madness" as the pilot episode.
Murray co-produced the pilot episode with George Maestri, Marty McNamara, and Nick Jennings at Joe Murray Studio in Saratoga, California, United States. McNamara assembled a cadre of animators. Murray animated half of the pilot, and several San Francisco Bay-area animators such as Robert Scull, Maestri, Jennings, and Timothy Björklund animated the other half. Jennings created all of the production backgrounds.
Murray then hired a camera company. Once the plan fell behind schedule, Murray, Nick Jennings, and George Maestri modified a 35 millimeter camera to film during the night. Tom Schott acted as the cameraman. In the daytime the team transported the film via automobile to San Francisco for processing. After viewing the completed portions, the team arrived in Saratoga to continue the production. Murray rented a motel room for team members to take shifts sleeping and showering; Murray, Jennings, Maestri, and Schott took shifts at the motel. Policemen visited the animators on numerous occasions due to noise produced by the studio.
The team completed the film on schedule; the crew later expanded the film to 11 minutes for use in the series. Murray describes the animation of "Trash-O-Madness" as containing "variations in the Rocko models" and "a lot more stretch than usual" in the animation.