Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet (Kinh) majority as well as the nation's ethnic minorities.
Đàn bầu (also Đàn Bao) - monochord zither: often tuned C3, though tuning varies
Đàn đáy - long-necked three-stringed lute with trapezoidal body: tuned G3 C4 F4
Đàn nguyệt (also called nguyệt cầm or đàn kìm or Quân tử cầm) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor)
Đàn sến - two-string lute: tuning is variable
Đàn tam - fretless lute with snakeskin-covered body and three strings: tuned F3 C4 F4
Đàn tranh - long zither
Đàn tỳ bà (also Đàn tyba) - pear-shaped lute with four strings" tuned C4 F4 G4 C5
Đàn đoản (also called đàn tứ) - round- or square-shaped, flat-backed, 4-string lute with short neck, tuned C3 G3 D4 A4
Guitar phím lõm (also called lục huyền cầm, ghi-ta phím lõm, or Đàn ghita) - "Vietnamized" acoustic or electric 5-string guitar with scalloped fretboard; used primarily in cải lương: tuned C3 F3 C4 G4 C5
Đàn tứ dây - bass guitar in the shape of a đàn đáy
Cầm - 7-stringed zither equivalent to the Chinese guqin; no longer used
Sắt - zither with 25 strings equivalent to the Chinese se; no longer used
Đàn tính - long-necked lute with a gourd body and two or three silk strings; used by the Tay, Nung, and Thai ethnic groups
Bro - fretted zither with a body made of bamboo and a gourd resonator; used by minority ethnic groups in the Central Highlands
Goong - tube zither with a bamboo body; used by minority ethnic groups in the Central Highlands
Đàn gáo - two-stringed vertical violin with coconut resonator
Đàn hồ - two-stringed vertical violin with wooden resonator; hồ derives from Chinese hu, as in huqin)
Đàn nhị - two-stringed vertical violin
K'ni (also spelled k'ny or k'ný) - one-string vertical violin; played by the Jarai people of the Central Highland
Đàn tam thập lục - hammered dulcimer with 36 metal strings
Sáo (also called sáo trúc) - transverse flute made of bamboo or hardwood
Kèn - class of double reed instruments similar to the oboe and the Indian shehnai
Kèn bầu - conical oboe with gourd-shaped wooden bell
Kèn đám ma - conical oboe with metal bell; used for funeral music in northern Vietnam
Bi doi - double clarinet similar to the Middle Eastern mijwiz; used in courtship context mainly within the Mường people.
Đing nǎm - free-reed mouth organ with gourd body and bamboo pipes; played by upland minorities
M'buot - free-reed mouth organ with gourd body and bamboo pipes; played by upland minorities
Púa - valveless brass trumpet
Ốc "snail" - conch trumpet
Trống - drum played with sticks
Trống cái - bass drum
Trống chầu or trống đế - the largest of the set of drums used in Hát tuồng.
Trống cơm - rice drum
Trống đồng (also called trống đồng Đông Sơn) - bronze drum played by the Đông Sơn culture in ancient times
Nruas tuag (also called Ư chua - drum used by the Hmông ethnic group for funeral music
Biên khánh - a set of L-shaped flat stone chimes used in ancient court music; derived from the Chinese bianqing
Cồng chiêng - tuned gong (comes in both flat and knobbed varieties)
Tam âm la - set of three small, high-pitched flat gongs in a frame; used primarily in nhã nhạc music
T'rưng - bamboo xylophone
Đàn đá - lithophone, commonly having 9+ stone bars, 65 cm-102 cm in length. It is believed the instrument dates back to 1000 BC. Also called Goong Lú (M’nong people), Kologolo (M’nong people), Gôông Luk (Mạ people).
Sênh tiền - coin clapper
Song loan - woodblock
Đàn môi - jaw harp
Klông pút - set of bamboo tubes; hands are clapped near ends of tubes to produce musical tones
Đàn tre "bamboo instrument" - A hybrid form of the Vietnamese plucked string instrument similar to a Đàn tính – called a Đàn tre – was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800mm-long wire strings attached to a bamboo tube with a metal hose-clamp around the top rim. A four-litre, rectangular olive oil tin, which acts as a resonator, is clamped to the base of the tube. The instrument is capable of playing both Vietnamese and Western music. The instrument can be seen and recordings of it being played by its creator can be heard at the National Museum of Australia.
Traditional Vietnamese musical instruments Wikipedia (Text) CC BY-SA