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The Young Man from Atlanta

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Written by
  
Horton Foote

First performance
  
27 January 1995

Setting
  
Houston

Awards
  
Pulitzer Prize for Drama

3.2/5
Goodreads

Date premiered
  
January 27, 1995

Playwright
  
Horton Foote

Genre
  
Drama

The Young Man from Atlanta t2gstaticcomimagesqtbnANd9GcTJTmtKoIpwCn4ns

Place premiered
  
Signature Theatre New York City

Subject
  
Two parents attempt to cope with the death of their only son

Places premiered
  
Signature Theatre Company, New York City

Similar
  
Horton Foote plays, Dramas

The Young Man From Atlanta is a drama written by American dramatist Horton Foote first produced Off-Broadway by the Signature Theatre in January 1995. Foote received the 1995 Pulitzer Prize for Drama. This was one of four Foote plays the group produced during its 1994/1995 season.

Contents

Overview

In this play Foote revived characters which had been in his The Orphans' Home Cycle of nine plays. Will Kidder — 64 years old in this play — was in his early twenties in Lily Dale, and approaching middle age in Cousins. Sixty-year-old Lily Dale Kidder was introduced in Roots in a Parched Ground as a ten-year-old, and was portrayed in subsequent life stages in Lily Dale and Cousins. Her stepfather, 72-year-old Pete Davenport, first appears at age thirty in Roots in a Parched Ground. According to the playwright, he thought he was done with these characters after Cousins, but in the early 1990s found himself thinking about them again and started work on this play.

Plot

In 1950, Will Kidder, age 64, is at his office at the Sunshine Southern Wholesale Grocery, where he has worked since his early 20's. He and his wife Lily Dale have just moved into their new house in Houston and, in Will's words, "There's no finer house in Houston." He was poor as a child and had a successful career. However, Will is fired.

Will talks about his only son, Bill, who had moved to Atlanta. Bill drowned six months ago, and Will suspects Bill actually committed suicide. Lily Dale refuses to consider that he committed suicide, instead believing that his death was an accident. Bill's roommate, Randy Carter, the "Young Man from Atlanta", had been trying to see Will, who believes that all he wants is money. Will learns that Bill had given Randy money, but eventually accepts that he knew Bill and "that's the only Bill I care to know about."

Characters

  • Lily Dale Kidder
  • Will Kidder
  • Pete Davenport
  • Carson
  • Tom Jackson
  • Miss Lacey
  • Ted Cleveland, Jr.
  • Clara
  • Etta Doris Meneffree
  • Productions

    The Young Man from Atlanta opened Off-Broadway at the Signature Theatre on January 27, 1995 and closed on February 26, 1995. Directed by Peter Masterson, the cast featured Ralph Waite as Will Kidder, Carlin Glynn as Lily Dale and James Pritchett as Pete Davenport. The production won the 1995 Pulitzer Prize for Drama.

    The play was next produced at the Huntington Theatre in Boston, Massachusetts in 1995, the Alley Theatre in Houston in February 16, 1996 to March 16, both with Ralph Waite and Carlin Glynn, and the Goodman Theatre (Chicago) in January 1997, with new cast members Rip Torn and Shirley Knight. (The play had been developed at the Alley Theatre, where it had readings.)

    The play opened on Broadway at the Longacre Theatre running from March 13, 1997 (previews) to June 8, 1997. Directed by Robert Falls, the cast featured Rip Torn as Will Kidder, Shirley Knight as Lily Dale, and William Biff McGuire as Pete Davenport. The play was nominated for the Tony Award for Best Play, William Biff McGuire for Best Performance by a Featured Actor, and Shirley Knight for the Best Performance by a Leading Actress.

    Development

    Because the producer felt that the play needed changes, a new director, Robert Falls, and new cast were added. The producer said of Falls: "We reached for someone we considered to be the best director in the country for American material, someone who could take Horton's remarkable work and best reveal the subterranean working beneath the surface." Changes to the script were "really been a matter of fine tuning."

    References

    The Young Man from Atlanta Wikipedia