Year c. 1500–1525 Artist Hieronymus Bosch Created 1490 | Type Oil on panel Dimensions 70 cm x 51 cm Media Panel painting, Oil paint | |
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Location Museo del Prado, Madrid Similar Hieronymus Bosch artwork, Artwork at Museo Nacional Del Prado, Drawing | ||
The Temptation of St. Anthony is a panel by Hieronymus Bosch or a follower. It is currently housed in the Museo del Prado in Madrid.
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History
The work was in the Escorial monastery, although it was not mentioned in inventories; later it was moved to the Prado. It is likely that the work was one of the Temptations sent to the monastery by Philip II of Spain in 1574. This painting has a more serene atmosphere than the triptych with the same theme now in the Museu Nacional de Arte Antiga of Lisbon.
Like all Bosch's works, it cannot be dated with precision, although it is likely from his late production (1500–1516).
In 2016, the Bosch Research and Conservation project, after five years of researching all known Bosch paintings, announced that they had significant doubts about the attribution of the work to Bosch, instead attributing it to a follower.
Description
St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this subject, all inspired by legends told in the Golden Legend and in his Life by Athanasius of Alexandria. He is represented in a setting of solitude and temptation that the saint experienced over twenty years. Although this picture is significantly different from other works by Bosch of St. Anthony, such as the triptych painting of the same name, customary features of the abbot include the his dark brown habit with the Greek letter "tau" and pig by his side.
In contrast to the earlier paintings with St. Anthony, this version of the temptation of St. Anthony finds the abbot calmer from his meditative spirit. His surroundings are peaceful and evoke a sense of calm. The pig lies next to him like a pet. Once demons, the creatures of temptation are now more like goblins and do not disturb the peaceful feeling of the painting.
This painting, originally framed with a semi-circular arch, was one of Bosch's later works, from sometime after 1490. Philip II of Spain sent it to the Monastery of El Escorial near Madrid. From there the painting came to the Museo del Prado as part of the Royal Collection.