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The Shape of Punk to Come

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Length
  
55:11

Artist
  
Refused

Label
  
Epitaph Records

The Shape of Punk to Come(1998)
  
Freedom(2015)

Release date
  
27 October 1998

The Shape of Punk to Come httpsuploadwikimediaorgwikipediaenthumb7

Released
  
October 27, 1998 (1998-10-27)

Recorded
  
Late 1997 at Tonteknik Bomba Je studios

Producer
  
Eskil Lövström, Andreas Nilsson, Pelle Henricsson, Refused

Genres
  
Hardcore punk, Post-hardcore, Experimental rock, Art punk, Experimental music

Nominations
  
Grammis Award for Hard Rock/Metal of the Year

Similar
  
Refused albums, Hardcore punk albums

The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts, often shortened to The Shape of Punk to Come, is the third album by Swedish hardcore punk band Refused, released on October 27, 1998 through Burning Heart Records.

Contents

Although Refused broke up only months after the album's release, The Shape of Punk to Come has since found an audience for the band and largely contributed to their posthumous fame, as well as inspiring many later artists in a wide range of genres. Kerrang! magazine listed The Shape of Punk to Come at #13 on their 50 Most Influential Albums of All Time list in 2003.

Refused the shape of punk to come full album stream


Overview

This album marked a sharp and conscious departure from Refused's earlier work. The philosophy of the album, expounded in the ample liner notes and encapsulated in the song "New Noise", was that punk and hardcore music could not be anti-establishment by continuing to package revolutionary lyrics in sounds which had been increasingly co-opted into the mainstream. The sound of the record challenged existing punk sensibilities; it can be seen as "punk" at a fundamental level and includes experimental combinations of post-hardcore, post-punk, techno, and jazz sounds. The album reveals musical differences to pop punk bands such as Green Day and Blink-182, and also to even more traditional punk rock bands such as Bad Religion and Pennywise.

The album also includes "political interludes" between some songs. The use of more technological sounds or drum and bass music, particularly on The New Noise Theology E.P. which followed the album, is a tactic that various members of Refused have credited to the influence of Philadelphia punk band Ink & Dagger.

Samples and "borrowed" material

  • The song title Worms of the Senses / Faculties of the Skull is an allusion to a line from Allen Ginsberg's long poem "Howl".
  • The Deadly Rhythm features a musical quotation of Bo Diddley's 1959 R&B song I'm a Man.
  • The break in New Noise samples Col. Kurtz's famous monologue from the 1979 Vietnam war film Apocalypse Now.
  • Tannhäuser / Derivè includes a reference to the theme The Augurs of Spring: Dances of the Young Girls from Igor Stravinsky's The Rite of Spring.
  • The spoken text at the start of Protest Song '68 comes from the opening of the Henry Miller novel Tropic of Cancer.
  • The album's title The Shape of Punk to Come and the song of the same name are a reference to Ornette Coleman's 1959 avant-garde jazz album The Shape of Jazz to Come.
  • The cover artwork is taken from the cover of Teenage Dance Session by Rye Coalition, which is of itself a copy of an earlier album cover.
  • The title of the song Refused are Fucking Dead is a reference to the Born Against song Born Against are Fucking Dead.

    • In other media

  • "New Noise" has been featured in Tony Hawk's Underground, Crank (film), Friday Night Lights and Nitro Circus in addition to the live-action cinematic trailer for Doom Was also featured in the motion picture "Boot Camp" during the escape attempt from the island. It was also the entrance music for major league pitcher John Axford when he closed games for the Milwaukee Brewers.

    • 2004 Reissue

    In 2004, a DVD-Audio version of the album was released, remixed in 5.1-channel Surround Sound. Many of the songs were compositionally altered, some significantly. "Bruitist Pome #5," for example, was thoroughly reworked, while a seven-minute version of "Refused Are Fuckin Dead" jarringly transitions into a new second half, which incorporates elements of the Bombe Je Remix of the song. Other songs received new intros or outros.

    Reception

    In 2003, Kerrang! magazine listed The Shape of Punk to Come at #13 on their 50 Most Influential Albums of All Time list. In 2005, The Shape of Punk to Come was ranked number 428 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time. In 2013, LA Weekly named it the twelfth best punk album in history. In 2015, the Phoenix New Times named it the fifth best political punk album ever.

    The album has sold 179,000 copies in the United States as of June 2015.

    2010 Reissue

    In addition to the 12 tracks of the original release, the 2010 reissue, released as a deluxe edition, also included previously unreleased live recordings from a 1998 concert and a DVD of the documentary on the band, Refused Are Fucking Dead.

    Disc 2: Live at Umeå Open festival (April 3, 1998)

    1. "The Shape of Punk to Come" – 4:38
    2. "The Refused Party Program" – 1:28
    3. "Circle Pit" – 2:48
    4. "Worms of the Senses / Faculties of the Skull" – 5:31
    5. "Hook, Line and Sinker" – 2:51
    6. "Summerholidays vs. Punkroutine" – 3:54
    7. "Rather Be Dead" – 3:42
    8. "Burn It" – 2:33
    9. "The Deadly Rhythm" – 4:05
    10. "Coup d'Ètat" – 5:10
    11. "New Noise" – 4:48
    12. "Tannhäuser" – 7:30

    Personnel

    The Shape of Punk to Come personnel as listed in the album liner notes.

    Songs

    1Worms of the Senses / Faculties of the Skull7:08
    2Liberation Frequency4:09
    3The Deadly Rhythm3:36

    References

    The Shape of Punk to Come Wikipedia
    (Text) CC BY-SA


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