5.8 /10 1 Votes
Directed by Alfred Vohrer Cinematography Ernst W. Kalinke Initial release 27 February 1970 Music director Rolf Kühn Produced by Luggi Waldleitner | 5.7/10 IMDb Music by Rolf Kühn Edited by Susanne Paschen Director Alfred Vohrer Screenplay Alfred Vohrer | |||||||||||||||||||||||||||||||||
Screenplay by Manfred Purzer
Alfred Vohrer Starring Siegfried Schürenberg
Eddi Arent
Tilly Lauenstein
Mascha Gonska
Gernot Endemann
Ann Smyrner
Judy Winter Cast Siegfried Schürenberg, Eddi Arent, Mascha Gonska, Judy Winter, Ann Smyrner Similar Und Jimmy ging zum Regenbogen, Ludwig Ganghofer: Der Edel, Seven Days Grace, Schmutziger Engel, Gott schützt die Liebenden |
The Sex Nest (German: Das gelbe Haus am Pinnasberg) is a 1970 West German sex comedy directed by Alfred Vohrer. The film is about a brothel for neglected wives that is predominantly staffed by men. It is based on the novel by Bengta Bischoff.
Contents
Plot summary
The so-called yellow house Pinnasberg is a Hamburg brothel for women, which is, led by authoritarian "General" Werner Zibell, supported by its busy night porter. When one of his guys dies, he is replaced by the sociology student Stefan Bornemann which intends to do practical studies here.
Here, Stefan falls in love with Luise Zibell, the daughter of the brothel owner. Meanwhile, anger is finally appeased by his wife Clarissa. She persuade him to accept Stefan as a son and set the yellow house for sale. This is done just in time, because the work on a subway tunnels lead shortly after to the collapse of the house
Release
The Sex Nest was released in West Germany on February 27, 1970. The film also had the alternative German title Eine Wohltat fur alle Frauen: Das gelbe Haus am Pinnasberg.
Reception
In a contemporary review, the Monthly Film Bulletin noted the acting and direction in the film were "of a much higher standard than in most German sex fare" but noted that the film's humour was still "terribly heavy-handed and the film's two 'serious' sub-plots...are never successfully integrated into the comic narrative."