5.2 /10 1 Votes5.2
Director Raymond Longford Producer Charles Cozens Spencer | 5.2/10 Produced by Charles Cozens Spencer Initial release 1911 | |||||||||||||||||||||||||||||||||
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Based on the play An English Lass by Alfred Dampier & C.H. Kriegerbook The History Of Margaret Catchpole: A Suffolk Girl by Richard Cobbold Cinematography Ernest Higgins, Arthur Higgins Similar Red Sky at Morning, Transported, Journey Among Women, Adam's Woman, For the Term of his Natural Life |
The romantic story of margaret catchpole 1911
The Romantic Story of Margaret Catchpole is a 1911 Australian silent film directed by Raymond Longford and starring Lottie Lyell. It is based on the true story of Margaret Catchpole, an adventuress and convict.
Contents
- The romantic story of margaret catchpole 1911
- Synopsis
- Cast
- Source material
- Production
- Release
- USA release
- References
Only part of the movie survives today.
Synopsis
In the south coast of England, a young woman, Margaret Catchpole (Lottie Lyell), is pursued by two men, the smuggler Will Laud (Raymond Longford) and the coastguard officer Lieutenant Barry (Augustus Neville). Laud is killed in a fight with coast guards and Margaret is sentenced to Botany Bay for horse stealing. She later marries Barry, who has since moved to Sydney, and becomes well-regarded for her hospital work.
Cast
Source material
In 1845 Richard Cobbold's historical novel The History of Margaret Catchpole: A Suffolk Girl was published, which helped make Catchpole famous, even if it did distort history.
The novel was dramatised in the play An English Lass by Alfred Dampier and C. H. Krieger. The play was revived in 1893.
The structure of the play was as follows:
Laurence Irving also wrote a play on Catchpole which premiered in 1911.
Production
Spencer had produced three films based on plays by Alfred Dampier under the direction of Alfred Rolfe and wanted to make a fourth. However Rolfe left Spencer to run the Australian Photo-Play Company so Raymond Longford, who had worked on the earlier films as an actor, stepped in as director.
The movie was shot in July 1911. No screenwriter was credited.
It enabled Lottie Lyell to demonstrate her skills as a horsewoman. Spencer's own horse "Arno", specially imported from England, appears.
The first half of the film, the section set in England, survives today. Comprising 1,596 feet at 24 minutes it is the earliest surviving example of the work of Lyell and Raymond Longford.
Release
The film was successful at the box office and received strong reviews. The critic from the Sydney Morning Herald stated that:
Mr Spencer has now produced several Australian taken and manufactured pictures, all of which have been of highest class, but it is questionable if he has done anything better than his latest effort. From the first scene to the last the pictures are good, the flicker being reduced to a minimum... Set among charming old-world scenery with the quaint costumes of our great grandparents the opening scene of the May-day dance is a jewel picture, and the promise of the opening scene is fulfilled throughout. The cliff and water scenery one can safely say, has never been surpassed in Australian picture shows. Through all her varying tones, from peaceful home in England to happiness in Australia, Margaret is charming, and carries the sympathy of the audience with her. Last in the cast of characters, but far from last in the hearts of the audience, are the splendid horses that play so important a part in the story.
USA release
It was one of a number of Spencer films bought for release in the USA. Its title was changed to The Queen of the Smugglers.