B-side "Mr. Record Man" Format 7" single (LB-1317) Length 2:12 | Released November 1961 Genre Country | |
Recorded August 22, 1961 at Quonset Hut studio (Nashville, Tennessee) | ||
"The Part Where I Cry" is a song written by country music singer Willie Nelson. After moving to Nashville in 1960, leveraged by the success of his songwriting, and helped by Harlan Howard, Nelson was signed by Joe Allison of Liberty Records.
Contents
In August 1961, his first session with the label was held at Quonset Hut studio, where he recorded the song. It was later coupled with "Mr. Record Man" on the B-side. While it failed to chart, the single received airplay.
Background
During his time in Houston, Nelson sold his original "Family Bible", that turned into a hit for Claude Gray. Despite that he was not credited as the songwriter on the record, he took advantage of the recognition that the song granted him, and moved to Nashville in 1960. While he joined Ray Price's band as a bass player, his songs became hits for other artists, including "Funny How Time Slips Away" (Billy Walker), "Pretty Paper" (Roy Orbison), and, most famously, "Crazy" by Patsy Cline.
Leveraged by his prominence as a songwriter in Nashville, Tennessee, and after his friend Harlan Howard forwarded his songs to producer Joe Allison, Nelson was signed to Liberty Records in 1961.
Recording and release
Nelson entered his first session at Liberty's Nashville studio on August 22, 1961, at Quonset Hut studio. Nelson was backed by guitarists Kelso Herston, Ray Edenton (who also played fiddle), Harold Bradley and Grady Martin; drummer Buddy Harman, pianist Hargus "Pig" Robbins, bassist Joe Zinkan and the Anita Kerr singers. During the night, until the early hours of the following day Nelson recorded "The Part Where I Cry", to be the first single release with the label. Allison was not pleased with the results of the session.
The single was coupled with the B-side "Mr. Record Man", recorded during a September session in California. Released in November 1961, Billboard's review predicted a "moderate sales potential". Despite it failed to chart, the song received good airplay on radio stations. It was later included on Nelson's debut album ...And Then I Wrote.