Year c. 1612–1626 | Medium Oil on canvas | |
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Dimensions 100 cm × 74 cm (39 in × 29 in) Similar Lot and his Daughters, Woman with a Lute, Judith and her Maidservant, David with the Head of Goliath, Rest on the Flight into Egypt | ||
The Lute Player is a painting from c. 1612–1615 by the Italian artist Orazio Gentileschi (1563–1639) depicting a young woman in a golden dress with a lute.
Contents
The lute player follow the violin
Background
Gentileschi came into contact with the Italian painter Michelangelo Merisi da Caravaggio (1571–1610) during Gentileschi's early 1600s Rome period. He adopted Caravaggio's method of painting from life using dramatic lighting and is considered one of the leading Caravaggisti. Nevertheless, he developed his own lyrical manner using soft, subdued tones.
Description
The The Lute Player depicts a young woman in a golden dress with a lute, turned away from the observer, concentrating her attention on the nineteen stringed instrument and listening intently to a note. She may be tuning her lute in anticipation of a concert, as shown by the assortment of recorders, a cornetto and violin, and the song books lying open on the table before her. The painting is rich in its renderings of fabrics. It can be taken as a genre scene or as a portrait, but since many of the paintings of its time included some allegorical message, it can also represent the allegory of hearing or a portrayal of Harmonia, the Greek goddess of harmony and concord.
Influences
The Lute Player is influenced by Caravaggio's early genre scenes, especially Caravaggio's own c. 1600 painting of the same name in the Hermitage Museum. In turn, Gentileschi's painting was the inspiration for Giuseppe Crespi's c. 1700–1705 Woman Playing a Lute. Christiansen & Mann note that Gentileschi returned to Caravaggio's early Giorgionesque work, exemplified by paintings such as the c. 1594–1596 Penitent Magdalene, as guidance for his departure from mainstream Caravaggism that The Lute Player represents.