Suvarna Garge (Editor)

The Imprint (printing trade periodical)

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The Imprint was a periodical aimed at the printing trade, published in 9 issues from January to November 1913. The publishers were the Imprint Publishing Company, of 11 Henrietta Street, Covent Garden, London. Editors were F. Ernest Jackson, Edward Johnston, J. H. Mason, and Gerard Meynell of the Westminster Press, London, which was also the printer of the journal.

Contents

In addition to the editors, several notable printing practitioners wrote for the magazine, including Stanley Morison.

Subjects covered

  • typography
  • wood engraving
  • lithography
  • photogravure
  • children's books
  • 18th-century song books
  • liturgical books
  • offset machinery
  • printers' devices
  • printing in Russia
  • use of the Linotype machine
  • artists including Lucien Pissarro, Paul Gauguin, Honoré Daumier
  • copyright
  • Issues

    The issues are dated thus:

  • Volume 1
  • January 1913
  • February 17, 1913
  • March 17, 1913
  • April 17, 1913
  • May 17, 1913
  • June 17, 1913
  • Volume 2
  • July 17, 1913
  • August 27, 1913
  • November 27, 1913
  • Imprint Old Face

    The name of the journal lives on in the typeface Imprint Old Face. This sturdy design, Caslon-like but with more regularity in its letterforms, was produced for the magazine (on a non-exclusive basis) in 1912 by the Monotype Company as Series 101 for automatic composition on the Monotype caster. When delivered to the journal's printers on December 31, 1912, it was still incomplete — the accents had not yet been made — so the editors asked in the first issue: “Will readers kindly insert them for themselves, if they find their omission harsh? For ourselves, we rather like the fine careless flavour, which their omission gives, after we have recovered from the first shock inevitable to us typographical precisians”.

    Perhaps Imprint’s most notable use since then has been for the entire setting of the Second Edition of the Oxford English Dictionary (1989), 22,000 pages of precisely structured typography in 20 volumes.

    It is available today as a digital OpenType font from Monotype's successor, Monotype Imaging.

    References

    The Imprint (printing trade periodical) Wikipedia