The Housemaid (1960 film)

Plot

The film is a domestic horror thriller telling of a family's destruction by the introduction of a sexually predatory femme fatale into the household. A composer, Dong-sik Kim has just moved into a two-story house with his wife and two children. When his pregnant wife becomes exhausted from working at a sewing machine to support the family, the composer hires a housemaid, Myung-sook to help with the work around the house. The new housemaid behaves strangely, catching rats with her hands, spying on the composer, seducing him and eventually becoming pregnant by him.

The composer's wife convinces the housemaid to induce a miscarriage by falling down a flight of stairs. After this incident, the housemaid's behavior becomes increasingly more erratic. She tricks the composer's son Chang-soon into believing that he has ingested poisoned water and in a panic he falls to his death down a flight of stairs. She threatens to kill the composer's newborn son, and actually does kill the composer's crippled daughter Ae-soon by force-feeding her poisoned rice. Myung-sook persuades the composer to commit suicide with her by swallowing rat poison.

The film ends with the composer reading the story from a newspaper with his wife. The narrative of the film has apparently been told by the composer, who then all smiles warns the film audience that this is just the sort of thing could happen to anyone.

Cast

Critical appraisal

In 2003, Jean-Michel Frodon, editor-in-chief of Cahiers du cinéma, wrote that the discovery of The Housemaid by the West, over forty years after the film's debut, was a "marvelous feeling—marvelous not just because one finds in writer-director Kim Ki-young a truly extraordinary image maker, but in his film such an utterly unpredictable work".

Comparing the director to Luis Buñuel, Frodon wrote Kim is "capable of probing deep into the human mind, its desires and impulses, while paying sarcastic attention to the details". He called The Housemaid "shocking", noting that "the shocking nature of the film is both disturbing and pleasurable". Frodon pointed out that The Housemaid was only one early major film in the director's career, and that Kim Ki-young would continue "running wild through obsessions and rebellion" with his films for decades to come.