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The Flying Burrito Brothers

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Labels  A&M, Columbia, Curb
The Flying Burrito Brothers The Flying Burrito Brothers Wikipedia
Years active  1968–1972, 1975–1980, 1985–2001 1980–1987 (as the Burrito Brothers) 2002–2009 (as Burrito Deluxe) 2009–2012 (as the Burritos) 2012–present (as the Burrito Brothers)
Associated acts  International Submarine Band, the Byrds, the Desert Rose Band, Swampwater, Firefall, the Eagles, Manassas
Past members  Chris Hillman Sneaky Pete Kleinow Gram Parsons Chris Ethridge Michael Clarke See members section for others
Origin  Los Angeles, California, United States
Members  Gram Parsons, Chris Hillman, Bernie Leadon
Genres  Country rock, Southern rock
Albums  The Gilded Palace of Sin, The Flying Burrito Bros, Burrito Deluxe, Hot Burritos! The Flyin, Sin City
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The Flying Burrito Brothers was a seminal American country rock band, best known for their influential 1969 debut album, The Gilded Palace of Sin. Although the group is perhaps best known for its connection to band founders Gram Parsons and Chris Hillman (formerly of The Byrds), the group underwent many personnel changes and has existed in various incarnations, currently known as "The Burrito Brothers".

Contents

Original lineup and members until 1972

The Flying Burrito Brothers The Flying Burrito Brothers Behind The Songs American Songwriter

The Flying Burrito Brothers were founded in 1968 in Los Angeles, California by Gram Parsons and Chris Hillman. Bassist/keyboardist Chris Ethridge (who had played alongside Parsons in his most notable pre-Byrds venture, the International Submarine Band), pedal steel guitarist Sneaky Pete Kleinow (a special effects artist who worked on Gumby and The Outer Limits while dabbling in the Los Angeles country music scene) and esteemed session drummer "Fast" Eddie Hoh (best known for his performances on Al Kooper, Michael Bloomfield and Stephen Stills's Super Session [1968]) rounded out the initial lineup. The group expropriated their name from an East Coast–based group of the same name who performed alongside the International Submarine Band but never recorded.

The Flying Burrito Brothers 78 images about The Flying Burrito Brothers on Pinterest Honky

Though Hillman and Roger McGuinn had fired Parsons from the Byrds in July 1968, Hillman and Parsons reconciled later that year after Hillman (who would switch from bass to rhythm guitar in the new ensemble) left the group. Parsons had refused to join his Byrds bandmates for a tour of South Africa, citing his disapproval of the apartheid policy of that nation's government. Hillman doubted the sincerity of Parsons's gesture, believing instead that the singer merely wanted to remain in England with Mick Jagger and Keith Richards of the Rolling Stones, whom he had recently befriended.

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The Flying Burrito Brothers recorded their debut album, The Gilded Palace of Sin (containing originals by Parsons, Hillman and Ethridge and covers of two songs by Dan Penn and Chips Moman) without a regular drummer. Hoh proved to be unable to perform adequately due to an incipient substance abuse problem and was dismissed after recording two songs, leading the group to employ a variety of session players, including former International Submarine Band drummer Jon Corneal (who briefly joined the group as an official member, appearing on a plurality of the tracks) and Popeye Phillips of Dr. Hook & the Medicine Show. Before commencing their first tour, the group ultimately settled upon original Byrd Michael Clarke (who who had recently been working with fellow country rock pioneers and Byrds spinoff The Dillard and Clark Expedition) as a permanent replacement. Although technically maladroit, Clarke's striking physical appearance proved to be the primary criterion in this decision; an associate of the band would later recall that "the Burritos had to be pretty" and "Corneal didn't fit" from that standpoint. Clarke remained the band's permanent drummer until 1971.

The Flying Burrito Brothers Flying Burrito Brothers 30 Days Out

Critically acclaimed upon its release in February 1969 (as exemplified by Stanley Booth's laudatory review in Rolling Stone and approbative press remarks from Bob Dylan) for its pioneering amalgamation of country, soul music and psychedelic rock, The Gilded Palace of Sin only managed to peak at #164 in Billboard. Although the band declined an invitation to perform at Woodstock, a comprehensive train tour of the United States (necessitated by Parsons's fear of flying) ultimately ended in disaster due to drug and alcohol use. Dissatisfied by the band's lack of success and unable to fully reconcile his predilection for R&B and groove-based music with the more conservative tastes of Parsons and Hillman, Ethridge departed the group in the autumn of 1969. Hillman reverted to bass after the band hired rhythm guitarist Bernie Leadon, a Dillard and Clark veteran who had also played with Hillman in the early 1960s bluegrass scene. This iteration of the band performed at the ill-fated Altamont Free Concert in December 1969, and, as documented in the film Gimme Shelter, the audience remained largely peaceful throughout their performance.

The Flying Burrito Brothers The Flying Burrito Brothers New Music And Songs

With mounting debt incurred from the first album and tour and a failed single ("The Train Song," written on the tour and produced by 1950s R&B legends Larry Williams and Johnny "Guitar" Watson), A&M Records hoped to recoup some of their losses by marketing the Burritos as a straight country group. To this end, manager Jim Dickson instigated a loose session where the band recorded several traditional country staples from their live act (including songs by Merle Haggard and Buck Owens), contemporary pop covers in a countrified vein ("To Love Somebody", "Lodi", "I Shall Be Released", "Honky Tonk Women"), and Williams's rock and roll classic "Bony Moronie." This was soon scrapped in favor of a second album of originals on an extremely reduced budget. Several of the tracks from these sessions eventually saw the light of day in 1976 on Sleepless Nights, which also featured outtakes from Parsons's solo oeuvre.

Parsons was fired from the group in May 1970, shortly after the release of Burrito Deluxe, which juxtaposed the band's inability to develop compelling new material (partially exacerbated by Parsons's hedonistic streak; one song, Parsons's "Lazy Days," dated from 1967) with prominent covers of the Rolling Stones's "Wild Horses," Dylan's "If You Gotta Go, Go Now" and the Southern gospel standard "Farther Along." Unlike Gilded Palace, the album failed to chart entirely. During this period, Parsons showed up for a band performance only minutes before they were to take the stage. Visibly intoxicated, he began singing songs which differed from what the rest of the band were performing. A furious Hillman (already incensed by the singer's penchant for showing up at $500 concerts in a limousine and increasingly Jagger-influenced showmanship) fired him immediately after the show, to which Parsons responded, "You can't fire me, I'm Gram!" According to Hillman, this incident was merely the final straw; Parsons's desire to hang out with the Rolling Stones rather than focus on his own band's career was also a significant factor, mirroring his 1968 dismissal from The Byrds.

Fronted by Hillman and Leadon, the immediate post-Parsons appeared in June–July 1970 on the Festival Express tour of Canada with Janis Joplin, the Grateful Dead, The Band and other groups. Parsons was eventually replaced by guitarist/songwriter Rick Roberts. The new lineup releasing The Flying Burrito Bros in June 1971; like its predecessors, it was a commercial failure, only peaking at #176 in the United States. Shortly thereafter, Kleinow (who was frustrated by the diminution of his parts in released mixes and the wholesale rejection of his songwriting efforts by the group) left to become a session musician, while Leadon departed to co-found The Eagles at the behest of Linda Ronstadt. Al Perkins and Kenny Wertz replaced them for a final tour in autumn of 1971; during these performances, veteran bluegrass musicians Roger Bush (acoustic bass, vocals) and Byron Berline (fiddle) participated as guests during an acoustic interlude. The band released Last of the Red Hot Burritos, a well-received live album culled from the tour, in May 1972.

The band dissolved immediately thereafter when Hillman and Perkins joined Stephen Stills's Manassas. Berline, Bush and Wertz continued with their own band, Country Gazette. Roberts assumed corporate ownership of the band from Hillman in October 1972 and assembled a makeshift lineup to fulfill contractual commitments for some 1973 European live shows. He briefly initiated a solo career before forming Firefall with Clarke.

Later configurations

As Parsons's influence and fame grew, so did interest in the Flying Burrito Brothers. This newfound popularity led to the release of Close Up the Honky Tonks in 1974, a double-LP compilation of album tracks, B-sides, and outtakes. Soon after, Kleinow and Ethridge put together a new incarnation of the band. When asked in 1972 about the band continuing without him, Parsons remarked, "The idea'll keep going on. It's not like it's dead or anything. Whether I do it or anybody else does it, it's got to keep going." Frequent Ethridge collaborator and former Canned Heat guitarist Joel Scott Hill, longtime country rock eminence grise Gib Guilbeau (fiddle, guitar) and erstwhile Byrd multi-instrumentalist Gene Parsons also joined the group, and the band (augmented by songwriter and session luminary Spooner Oldham from the Dan Penn/FAME Studios axis) released Flying Again on Columbia Records later that year. Dominated by contributions from Guilbeau, Parsons and Penn (including the single "Building Fires," a collaboration between Penn, "Always on My Mind" co-writer Johnny Christopher and maverick Memphis legend Jim Dickinson), the album was the most commercially successful effort by any iteration of the band, peaking at #138 on the Billboard album chart. Ethridge was then replaced by Byrds alumnus Skip Battin for the 1976 album Airborne, which only reached #204. However, the lineup continued to evolve for the rest of the 1970s, with the band even releasing an album under the name Sierra while continuing to play shows as the Flying Burrito Brothers. In 1980, they had the first of several minor country hits with a version of Merle Haggard's "White Line Fever" from their album Live in Tokyo, released the previous year.

The early 1980s were a period of commercial success for the band, and during this time the band became known as simply "The Burrito Brothers." Headed by songwriter and guitarist John Beland, Gib Guilbeau, and initially Kleinow, the Burrito Brothers scored well on the country charts. Skip Battin had remained with the band until this point but left shortly before the release of Hearts on the Line in 1981. This marked the first significant commercial chart success the band ever had. In 1981 they received the Billboard award for "Best New Crossover Group" from pop to country. The Burrito Brothers continued to work with the top session players in Nashville and Los Angeles, logging an impressive list of singles for Curb Records. In the 1980s they toured Europe, were featured at the Albi Nashville Festival in Albi, France, and performed with Emmylou Harris, Jerry Lee Lewis, and Tammy Wynette at London's Wembley Stadium. Also in the early 1980s, the Burrito Brothers were responsible for a campaign that finally saw Lefty Frizzell inducted into the Country Music Hall of Fame. In 1982, Kleinow, the sole original member, departed prior to the release of Sunset Sundown. In 1984, Beland and Guilbeau retired the Burritos and afforded Kleinow the chance to re-form essentially the late 1970s lineup with Skip Battin and Greg Harris, which continued to tour and release live albums for the rest of the 1980s.

In 1991 a lineup consisting of Beland, Guilbeau, Ethridge, Kleinow, and Australian singer Brian Cadd began work on a new album, Eye of a Hurricane. The band went without a regular drummer and used session drummer Ron Tutt, who had previously played with Elvis Presley. The band soon parted ways with Ethridge (for the third time) and Cadd. Ethridge was replaced by Larry Patton, and Gary Kubal was added as a full-time drummer. This lineup released California Jukebox in 1997. At this time Gib Guilbeau and Kleinow stopped working with the group because of health concerns. Kleinow was replaced by Wayne Bridge. In 1999, the band released Sons of the Golden West, which, while receiving solid critical reviews, would prove to be the final album by the Flying Burrito Brothers, as John Beland decided to end the band shortly after the turn of the millennium.

Kleinow then created a new Burrito project in 2002. This band was called Burrito Deluxe, because John Beland still had rights to the original name at that time. This band featured Carlton Moody on lead vocals and Garth Hudson from the Band on keyboards. The first album of this incarnation, Georgia Peach, was conceived as a tribute to Gram Parsons. Kleinow left the band because of illness in 2005, leaving no direct lineage to any of the original 1969–1972 lineup. His final recordings appear on their 2007 album Disciples of the Truth. In 2010, an English record label owner, Del Taylor, attempted to reactivate the band with any previous members he could find. Bernie Leadon, Chris Ethridge, Al Perkins, and Gene Parsons all agreed if Chris Hillman would join. Hillman was not interested in the project and instead took steps to acquire the rights to the name "The Flying Burrito Brothers" so that he could retire the band once and for all. His efforts were in vain, however. As recently as 2011, a still further evolution of the band, led by Walter Egan from Burrito Deluxe, released the album Sound As Ever as The Burritos. Beginning in 2012, that band began playing shows as The Burrito Brothers.

Legacy

Gram Parsons died on September 19, 1973. Save for Hillman, the rest of the original lineup has joined their leader in death: Michael Clarke (1993), Pete Kleinow (2007), Chris Ethridge (2012) and Eddie Hoh (2015). Later members that have also passed include Skip Battin (2003) and Gib Guilbeau (2016).

Chris Hillman remained a successful singer-songwriter, having been part of the Souther-Hillman-Furay Band and a partial reunion of The Byrds in McGuinn-Clark-Hillman before going on to form the Desert Rose Band (1986–93) with Herb Pedersen. He continued to sing with Pedersen thereafter as Chris and Herb, releasing The Other Side in 2005.

Guilbeau retired following heart surgery and moved to Palmdale, California. He continued to appear occasionally at local functions in and around the Los Angeles area. Beland continued to produce acts in the U.S. and abroad, achieving hit records in both Australia and Norway, where he also performed as a solo act. Beland moved to Brenham, Texas, and has written hits for performers such as the Whites ("Forever You"), Mark Farner ("Isn't It Amazing?"), and the Bellamy Brothers ("Cowboy Beat", "Hard Way to Make an Easy Living", and "Bound to Explode"). His songs have been covered by many acts, from Ricky Nelson to Garth Brooks.

Compilation albums

  • Close Up the Honky Tonks (1974)
  • Sleepless Nights (1976)
  • Farther Along: The Best of the Flying Burrito Brothers (A&M) (1988)
  • Back to the Sweethearts of the Rodeo (1990)
  • Hollywood Nights 1979-82
  • Double Barrel (1995, recorded 1984)
  • Best of the Flying Burrito Brothers (Relix Records, 1995)
  • Out of the Blue (1996)
  • The Gilded Palace of Sin & Burrito Deluxe (A&M) (1997)
  • Hot Burritos! The Flying Burrito Brothers Anthology 1969–1972 (2000)
  • Best of Burrito Brothers (2002)
  • Sin City: The Very Best of the Flying Burrito Brothers (2002)
  • The Definitive Collection (2007)
  • Songs

    Wild HorsesBurrito Deluxe · 1970
    Christine's TuneThe Gilded Palace of Sin · 1969
    Dark End of the StreetThe Gilded Palace of Sin · 1969

    References

    The Flying Burrito Brothers Wikipedia


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