The Five Obstructions

The obstructions

1. Leth must remake the film in Cuba, with no set, and with no shot lasting longer than twelve frames, and he must answer the questions posed in the original film; Leth successfully completes this task.
2. Leth must remake the film in the worst place in the world but not show that place onscreen; additionally, Leth must himself play the role of "the man." The meal must be included, but the woman is not to be included. Leth remakes the film in the red light district of Mumbai, only partially hiding it behind a translucent screen.
3. Because Leth failed to complete the second task perfectly, von Trier punishes him, telling him to either remake the film in any way he chooses, or else to repeat it again with the second obstruction in Mumbai. Leth chooses the first option and remakes the film in Brussels, using split-screen effects.
4. Leth must remake the film as a cartoon. He does so with the aid of Bob Sabiston, a specialist in rotoscoping, who creates animated versions of shots from the previous films. As such the final product is technically an animation but not a cartoon. Nevertheless, von Trier considers the task to be completed successfully.
5. The fifth obstruction is that von Trier has already made the fifth version, but it must be credited as Leth's, and Leth must read a voice-over narration, ostensibly from his own perspective but in fact one written by von Trier.

Collaboration with Martin Scorsese

In 2010 Variety reported rumors that, Lars von Trier, Martin Scorsese, and Robert De Niro planned to work on a remake of Scorsese's film Taxi Driver with the film made with same restrictions as were used in The Five Obstructions. In 2014 Paul Schrader, the screenwriter for Taxi Driver said that it was not being made. He said, "It was a terrible idea" and "in Marty's mind, it never was something that should be done."

Reception

The Five Obstructions received strongly positive reviews from critics. It holds a 79/100 on Metacritic, and Rotten Tomatoes reports 88% approval among 59 critics. It was later voted one of the 30 best films of the 2000s in a poll for Sight & Sound.