Tripti Joshi

The Day I Became a Woman

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Director  Marzieh Meshkini
Initial DVD release  October 18, 2005 (USA)
Language  Persian
7.3/10 IMDb

Genre  Comedy, Drama
Budget  180,000 USD
Country  Iran
The Day I Became a Woman movie poster
Release date  September 1, 2000
Writer  Marzieh Makhmalbaf (dialogue), Mohsen Makhmalbaf
Cast  Shabnam Tolouei, Fatemeh Cherag Akhar, Hassan Nebhan
Similar movies  The Circle (2000)

Trailer for the day i became a woman

The Day I Became a Woman (Persian: Roozi ke zan shodam, روزی که زن شدم‎‎) is a 2000 award-winning Iranian drama film directed by Marzieh Meshkini. It tells three stories, each depicting a different stage in the lives of Iranian women. It premièred at the 2000 Venice Film Festival and won several festival awards during 2000. Critical response was positive with some calling it "Felliniesque".


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Scene from the day i became a woman


The Day I Became a Woman THE DAY I BECAME A WOMAN Jonathan Rosenbaum

The film tells three different stories about women struggling for identity in Iran. Hava is a young girl who, on her ninth birthday, is told by her mother and grandmother that she has become a woman with particular responsibilities. She may no longer play with her best friend, a boy, and must wear a chador when outside the home. Hava is given the choice when to start taking on those responsibilities—noon that day. A stick pushed into the ground will mark time as the shadow at noon will align with the stick.

The Day I Became a Woman Iranian Movie night The Day I Became a Woman Joes Garage De

Ahoo is a married woman who is taking part in a cycling race. Ahead of the rest, Ahoo is pursued by her husband on horseback. He tries to persuade her to stop cycling and come home, and then threatens her with divorce. When Ahoo defiantly continues cycling, her husband brings a mullah who divorces them. Later, tribal superiors and male family members come to stop Ahoo as she tries to escape the social constraints of being a woman.

Hoora is an elderly widow who has recently inherited a great deal of money. She decides to buy all of the material possessions she has ever wanted, but could not have while she was married. She ties strings to her fingers to remind her what to buy, and hires several young boys to help her. They take her and her new belongings to the beach. As she floats out to a waiting ship, seemingly free from the bonds of womanhood, she is watched by two of the young women from the bicycle race, and Hava, now wearing her chador.


The Day I Became a Woman The Film Sufi The Day I Became a Woman Marzieh Meshkini 2000
  • Fatemeh Cherag Akhar as Hava
  • Hassan Nebhan as Hassan
  • Shahr Banou Sisizadeh as Mother
  • Ameneh Passand as Grandmother
  • Shabnam Tolouei as Ahoo
  • Sirous Kahvarinegad as Husband
  • Mahram Zeinal Zadeh as Osmann
  • Norieh Mahigiran as Rival Cyclist
  • Azizeh Sedighi as Hoora
  • Badr Iravani as Young Boy
  • Production

    The Day I Became a Woman OFFOFFOFF film review THE DAY I BECAME A WOMAN Roozi Khe Zan Shodam

    The film was co-written by director Marzieh Meshkini, from a script by her husband Mohsen Makhmalbaf. It was shot on Kish Island in the Hormozgān Province in southern Iran. Makhmalbaf was on the island at the same time, shooting Testing Democracy. Some commentators have suggested that Makhmalbaf was the real director of The Day I Became a Woman (as well as the films of his daughters). Critic Jonathan Rosenbaum has argued against these claims. Meshkini has said that as a female filmmaker, she found making a film in Iran particularly difficult, having to prove her abilities to the cast and crew before being accepted by them.

    Distribution and reception

    The Day I Became a Woman The Day I Became a Woman Movie Posters From Movie Poster Shop

    The Day I Became a Woman premièred at the 2000 Venice Film Festival. It went on to play at several festivals including the Toronto International Film Festival, the London Film Festival and the New York New Directors/New Films Festival. It was given a limited release in American theatres on April 6, 2001. On its release in Iran, it was temporarily banned.

    The film won awards at the Venice Film Festival, the Toronto International Film Festival, the Thessaloniki Film Festival, the Pusan International Film Festival, the Oslo Films from the South Festival and the Chicago International Film Festival.

    Critical response to the film was generally positive. Film review site Rotten Tomatoes gave it a score of 87% based on 55 reviews. Metacritic gave it a score of 84% based on 24 reviews. Writing for the New York Times, Stephen Holden called it a "stunner of a film" and "an astonishing directorial debut". He said that leaving characters' backgrounds and motives unexplored makes the film enigmatic. Roger Ebert said that the three stories lack "the psychological clutter of Western movies", describing this fact as a strength. In the Boston Phoenix, Chris Fujiwara said that the film was "largely successful, describing the second segment as the highlight, and calling the final story disappointing. In The New Yorker, Michael Sragow called the film "fierce, inspired filmmaking". Several critics described it as "Felliniesque".


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