Sneha Girap

The Company (film)

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Genre  Drama, Music, Romance
Screenplay  Barbara Turner
Language  English
6.4/10 IMDb

Director  Robert Altman
Music director  Van Dyke Parks
The Company (film) movie poster
Release date  December 26, 2003 (2003-12-26)
Writer  Neve Campbell (story), Barbara Turner (story), Barbara Turner (screenplay)
Cast  Neve Campbell (Loretta 'Ry' Ryan), Malcolm McDowell (Alberto Antonelli), James Franco (Josh), Barbara E. Robertson (Harriet), William Dick (Edouard), Susie Cusack (Susie)
Similar movies  The Last Witch Hunter, Jupiter Ascending, Knock Knock, Frozen, Pitch Perfect 2, The Avengers

The company 2003 trailer

The Company is a 2003 drama film directed by Robert Altman and starring Neve Campbell, who co-wrote and co-produced the film. The film also stars Malcolm McDowell and James Franco and is set in the company of the Joffrey Ballet.


The Company (film) movie scenes

The company robert altman


The Company (film) movie scenes

The Company is composed of stories gathered from the dancers, choreographers, and staff of the Joffrey Ballet. Most of the roles are played by company members. While a small subplot relates a love story between Campbell's character and a character played by James Franco, most of the movie focuses on the company as a whole, without any real star or linear plot. The many company stories woven together express the dedication and hard work that dancers must put into their art, although they are seldom rewarded with fame or fortune.


The Company (film) movie scenes
  • Neve Campbell - Loretta 'Ry' Ryan
  • Malcolm McDowell - Alberto Antonelli
  • James Franco - Josh Williams

  • The Company (film) movie scenes

    The part of Alberto Antonelli was reportedly inspired by the real life dancer and choreographer Gerald Arpino.


    The Company was an idea of Campbell's for a long time — she began her career as a ballet dancer, having been a student at Canada's National Ballet School. Altman was initially reluctant to direct the film, reportedly remarking, "Barbara, I read your script and I don't get it. I don't understand. I don't know what it is. I'm just the wrong guy for this." The director eventually relented, however, and The Company turned out to be his penultimate film. Neve Campbell and James Franco prepared for their roles as restaurant workers by training under Mickaël Blais, the chef of Marche, an upscale bistro in Chicago.

    Dance lighting

    Dance lighting for the Joffrey Ballet portions was composed by the dance lighting designer Kevin Dreyer.

    Pieces in the film

    Excerpts of the following dance pieces are included in the film:

  • Alwin Nikolais's "Tensile Involvement" (opening piece, with ensemble bound by elastic)
  • Gerald Arpino's "Light Rain", "Suite Saint-Saëns", and "Trinity"
  • Moses Pendleton's "White Widow" (dance with the swing)
  • Robert Desrosiers's "The Blue Snake"
  • Arthur Saint-Leon's "La Vivandière" (excerpt from Pas de Six)
  • Lar Lubovitch's "My Funny Valentine" (pas de deux; the performance in the thunderstorm)
  • Laura Dean's "Creative Force" (Campbell's flashback; the excerpt for 10 dancers in red costumes)
  • Box office

    The Company was given a limited release on December 25, 2003, earning $93,776 in eleven theaters over its opening weekend. The film ultimately grossed $2,283,914 in North America and $4,117,776 in foreign markets, bringing its worldwide box office total to $6,401,690—well below its estimated $15 million budget.

    Critical response

    The Company received a mostly positive response from critics. The film currently holds a 71% positive "Fresh" rating on the review aggregator Rotten Tomatoes, with the consensus, "Its deliberately unfocused narrative may frustrate some viewers, but The Company finds Altman gracefully applying his distinctive eye to the world of dance."

    Roger Ebert of the Chicago Sun-Times praised the film, awarding it 3 12 stars out of four. Ed Gonzalez of Slant Magazine similarly declared it the best movie of 2003. Elvis Mitchell of The New York Times called the film "enjoyably lithe and droll" and attributed a "great deal of the film's appeal" to McDowell's performance, while noting the film "doesn't stick with you as a whole."


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