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The Boys in the Band (play)

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Date premiered  April 14, 1968
First performance  14 April 1968
Genre  Drama
3.5/5 Time Out

Written by  Mart Crowley
Original language  English
Playwright  Mart Crowley
Place premiered  New York City
The Boys in the Band (play) t1gstaticcomimagesqtbnANd9GcSCzNu04UK7XxgAvI

Adaptations  The Boys in the Band (1970)
Characters  Cowboy Tex, Alan McCarthy, Michael, Harold, Emory, Larry, Hank, Donald, Bernard
Similar  Dirty Great Love Story, Don Juan in Soho, Stepping Out, The Dresser, Coraline

Mark gatiss the boys in the band by mart crowley at london pride


The Boys in the Band is a play by Mart Crowley. The off-Broadway production, directed by Robert Moore, opened on April 14, 1968 at Theater Four, where it ran for more than 1,000 performances. The cast included Kenneth Nelson as Michael, Peter White as Alan, Leonard Frey as Harold, Cliff Gorman as Emory, Frederick Combs as Donald, Laurence Luckinbill as Hank, Keith Prentice as Larry, Robert La Tourneaux as Cowboy, and Reuben Greene as Bernard.

Contents

The play was adapted into a feature film of the same name by Cinema Center Films in 1970. In 2002, Crowley wrote a sequel to the play, The Men from the Boys, which takes place thirty years after the original.

Theater talk stonewall special looking back at the boys in the band


Plot

During the play, which is set in an apartment on the Upper East Side of Manhattan, backgrounds of characters are discovered during a birthday party.

  • Harold celebrates his birthday party, thrown by six of his closest friends. He becomes increasingly morose about losing his youthful looks and claims that he no longer can attract cute young men.
  • "Cowboy", an attractive blond male prostitute who is "not too bright", is one of Harold's presents.
  • Alan is an unexpected party guest, Michael's allegedly straight college friend, who is in town and anxious to tell Michael something—but hesitant to do so when he sees the group.
  • Harold's six closest friends are:

  • Michael is Harold's "friend-enemy", the host, and a lapsed Roman Catholic alcoholic undergoing psychoanalysis
  • Donald is a conflicted friend, who has moved from the city to spurn the homosexual "lifestyle".
  • Bernard is an African-American, who still pines for the wealthy white boy in the house where his mother worked as a maid.
  • Emory is flamboyant and "effeminate".
  • Larry, a fashion photographer who prefers multiple sex partners, and
  • Hank, Larry's live-in boyfriend who was previously married to a woman, and "passes" as straight. He disagrees with Larry on the issue of monogamy.
  • During the party, one humor takes a nasty turn, as the nine men become increasingly inebriated. The party culminates in a game, where each man must call someone and tell him he loves him. Michael, believing that Alan has finally "outed" himself when he makes his call, realizes that Alan's wife is the recipient of Alan's call when he grabs the phone away from Alan. The audience never learns what Alan intended to discuss with Michael in the end.

    Creation

    According to Crowley's friend Gavin Lambert, actress Natalie Wood, who sympathized with Hollywood's gay scene, financially supported Crowley, who is himself gay, so he would be free to write his play. The playwright, who first met her while working as a production assistant on the movie Splendor in the Grass, worked as an assistant for Wood and her husband Robert Wagner for many years.

    Mart Crowley, the creator of this play, reminded himself of Michael as "a complex person who is aware of what is politically correct but has a sort of contempt for it", and he called Donald "a foil for Michael" and an inspiration of Crowley's friend. In the 1995 documentary, The Celluloid Closet, Crowley explained, "The self-deprecating humor was born out of a low self-esteem, from a sense of what the times told you about yourself."

    Performances

    The play has run more than 1,000 performances. It had a brief revival at the Lucille Lortel Theatre in Greenwich Village in 1996, and, in 2002, the sequel The Men from the Boys premiered in San Francisco and was produced in Los Angeles the following year.

    Reception and impact

    When The Boys in the Band premiered in 1968, mainstream audiences were shocked.

    In the same year, a two-disc vinyl LP set was released, containing the full dialogue of the play voiced by the original actors. In 1970, it was adapted for a motion picture directed by William Friedkin. Matt Crowley wrote the sequel to The Boys in the Band, The Men from the Boys.

    In 2002, Peter Filichia from Theater Mania found the 1969 Stonewall riots and gay rights movement inspired by the play when the play originally premiered. Filichia quoted:

    After gays saw The Boys in the Band, they no longer would settle for thinking of themselves as pathetic and wouldn't be perceived as such any longer. Now that [characters] had brought their feelings out of the closet, this new generation would dare to be different. And, just as some whites' view of blacks changed after seeing A Raisin in the Sun, so too did the outlook of many straights after they caught The Boys in the Band. Some whom I personally know felt terrible and -- I saw this happen! -- actually changed the way they treated gays.

    In 2004, David Anthony Fox from Philadelphia City Paper praised this play, its one-liners, and its live performance in Philadelphia. He rebutted criticism that the play portrayed "urban gay men as narcissistic, bitter, shallow".

    In 2010, Elyse Summer from CurtainUp website called it a "smart gimmick" full of dated "self-homophobic, low self-esteem characters". In the same year, Steve Weinstein from the Edge website called it "Shakespearean".

    References

    The Boys in the Band (play) Wikipedia