7.6 /10 1 Votes
4/5 The Independent Date premiered April 14, 1968 First performance 14 April 1968 Genre Drama | 3.5/5 Time Out Original language English | |||||||||||||||||||||||||||||||||
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Adaptations The Boys in the Band (1970) Characters Cowboy Tex, Alan McCarthy, Michael, Harold, Emory, Larry, Hank, Donald, Bernard Similar Dirty Great Love Story, Don Juan in Soho, Stepping Out, The Dresser, Coraline | ||||||||||||||||||||||||||||||||||
Mark gatiss the boys in the band by mart crowley at london pride
The Boys in the Band is a play by Mart Crowley. The off-Broadway production, directed by Robert Moore, opened on April 14, 1968 at Theater Four, where it ran for more than 1,000 performances. The cast included Kenneth Nelson as Michael, Peter White as Alan, Leonard Frey as Harold, Cliff Gorman as Emory, Frederick Combs as Donald, Laurence Luckinbill as Hank, Keith Prentice as Larry, Robert La Tourneaux as Cowboy, and Reuben Greene as Bernard.
Contents
- Mark gatiss the boys in the band by mart crowley at london pride
- Theater talk stonewall special looking back at the boys in the band
- Plot
- Creation
- Performances
- Reception and impact
- References
The play was adapted into a feature film of the same name by Cinema Center Films in 1970. In 2002, Crowley wrote a sequel to the play, The Men from the Boys, which takes place thirty years after the original.
Theater talk stonewall special looking back at the boys in the band
Plot
During the play, which is set in an apartment on the Upper East Side of Manhattan, backgrounds of characters are discovered during a birthday party.
Harold's six closest friends are:
During the party, one humor takes a nasty turn, as the nine men become increasingly inebriated. The party culminates in a game, where each man must call someone and tell him he loves him. Michael, believing that Alan has finally "outed" himself when he makes his call, realizes that Alan's wife is the recipient of Alan's call when he grabs the phone away from Alan. The audience never learns what Alan intended to discuss with Michael in the end.
Creation
According to Crowley's friend Gavin Lambert, actress Natalie Wood, who sympathized with Hollywood's gay scene, financially supported Crowley, who is himself gay, so he would be free to write his play. The playwright, who first met her while working as a production assistant on the movie Splendor in the Grass, worked as an assistant for Wood and her husband Robert Wagner for many years.
Mart Crowley, the creator of this play, reminded himself of Michael as "a complex person who is aware of what is politically correct but has a sort of contempt for it", and he called Donald "a foil for Michael" and an inspiration of Crowley's friend. In the 1995 documentary, The Celluloid Closet, Crowley explained, "The self-deprecating humor was born out of a low self-esteem, from a sense of what the times told you about yourself."
Performances
The play has run more than 1,000 performances. It had a brief revival at the Lucille Lortel Theatre in Greenwich Village in 1996, and, in 2002, the sequel The Men from the Boys premiered in San Francisco and was produced in Los Angeles the following year.
Reception and impact
When The Boys in the Band premiered in 1968, mainstream audiences were shocked.
In the same year, a two-disc vinyl LP set was released, containing the full dialogue of the play voiced by the original actors. In 1970, it was adapted for a motion picture directed by William Friedkin. Matt Crowley wrote the sequel to The Boys in the Band, The Men from the Boys.
In 2002, Peter Filichia from Theater Mania found the 1969 Stonewall riots and gay rights movement inspired by the play when the play originally premiered. Filichia quoted:
After gays saw The Boys in the Band, they no longer would settle for thinking of themselves as pathetic and wouldn't be perceived as such any longer. Now that [characters] had brought their feelings out of the closet, this new generation would dare to be different. And, just as some whites' view of blacks changed after seeing A Raisin in the Sun, so too did the outlook of many straights after they caught The Boys in the Band. Some whom I personally know felt terrible and -- I saw this happen! -- actually changed the way they treated gays.
In 2004, David Anthony Fox from Philadelphia City Paper praised this play, its one-liners, and its live performance in Philadelphia. He rebutted criticism that the play portrayed "urban gay men as narcissistic, bitter, shallow".
In 2010, Elyse Summer from CurtainUp website called it a "smart gimmick" full of dated "self-homophobic, low self-esteem characters". In the same year, Steve Weinstein from the Edge website called it "Shakespearean".