Legs 8 | Leg 8 | |
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Start date July 5, 1993 (1993-07-05) End date November 19, 1994 (1994-11-19) No. of shows 58 in North America
36 in Europe
16 in Asia
7 in South America
3 in Africa
120 in Total Period July 1993 – 19 November 1994 Associated album The Bodyguard: Original Soundtrack Album | ||
The Bodyguard World Tour is the fifth concert tour by American recording artist, Whitney Houston. The tour was in support of her multi-platinum soundtrack album, The Bodyguard.
Contents
Background
With the enormous success of The Bodyguard movie and soundtrack, Houston went on an extensive world tour to support her projects. Houston began rehearsals two months after giving birth to daughter, Bobbi Kristina Brown. The opening date was in Miami on July 5, 1993. Houston received a lot of flak for showing up late and then telling a fan who wanted an autograph to sit down. Houston played five nights at Radio City Music Hall in New York City, and then played six nights at the Sands Hotel & Casino in Atlantic City. Most of the shows during this 1993 US leg were in theaters because Houston wanted an intimate setting. During the US leg, Houston took a break to fly over to Europe to accompany husband Bobby Brown on his tour. Gospel act Angie & Debbie Winans were the opening act for the 1993 US leg.
During the second North American leg in 1994, Houston performed at the opening ceremony of the 1994 FIFA World Cup at the Rose Bowl Stadium. During that time, the singer had throat ailments and had to cancel eight shows during that time, all of which were rescheduled a month later. Houston also went public concerning having a miscarriage during the tour. The tour was a big success. Many shows were among the highest grossing shows of their week. The grossings helped Houston make Forbes magazine's Richest Entertainers list. Houston earned over $33 million during 1993 and 1994, the third highest for a female entertainer.
Critical reception
During her first Radio City performance, Stephen Holden of the New York Times wrote that "her stylistic trademarks -- shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration -- infuse her interpretations with flashes of musical and emotional lightning." At one of her Atlantic City dates, Kevin L. Carter of the Philadelphia Inquirer wrote that Houston handled her songs "with subdued emotionalism and the intelligence that only a gifted musician can bring to a song.
"Saving All My Love for You" was turned into a "smoky saloon-style ballad". Many critics noted that the highlight of the show was when Houston took on "And I Am Telling You" from Dreamgirls, and "I Loves You Porgy" from Porgy and Bess. Stephen Holden wrote of the medley that "her voice conveyed authority, power, determination and just enough vulnerability to give a sense of dramatic intention". As always, Houston included gospel songs. She introduced her band while performing 'Revelation.' Houston spoke about the Lord before going into 'Jesus Loves Me' which was often accompanied with complete silence from the mesmerized crowd." During the last couple of years, since her marriage to Brown, the tabloids generated many stories about Houston and Brown. The New York Post created a rumor that the singer had overdosed on diet pills, leading to a lawsuit filed by Houston. During her shows, while performing her love medley, Houston often denied tabloid rumors. Houston often brought her husband and baby to the stage with her to prove that they are a happy family and that the tabloids are wrong. Many critics felt that these tabloid stories helped her sing with more conviction and emotion. According to some critics, Brown's presence made "All the Man That I Need" a more stirring performance leading up the emotional high of "I Have Nothing", while others felt they were unnecessary, cheesy moments. Many critics praised her Aretha Franklin medley that she performed at certain shows. Houston performed "Ain't No Way", "(You Make Me Feel Like A) Natural Woman" and "Do Right Woman, Do Right Man". According to Jon Beam of the Minneapolis Star Tribune, the Aretha Franklin medley was a triumph of substance over style. He wrote that "She seemed a natural instead of a studied singer doing "A Natural Woman", and "Do Right Woman" was a right-on, soulful country-blues song, with a traditional call-and-response between Houston and her backup singers."
Opening acts
Notes
Band
Source:
Tour dates
1.:^ Figures reported for the concerts held in New York City, July 1993.