5 /10 1 Votes5
17% Rotten Tomatoes Produced by Philip A. Waxman | 6.6/10 IMDb 6.6/10 Letterboxd Music by Lyn Murray Initial release 13 November 1951 Production company Paramount Pictures | |||||||||||||||||||||||||||||||||
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Screenplay by Joseph LoseyStanley EllinHugo ButlerRing Lardner, Jr. Starring John Drew BarrymorePreston FosterJoan Lorring Cast Similar Directed by Joseph Losey, Preston Foster movies, Film noir | ||||||||||||||||||||||||||||||||||
The big night joseph losey 1951 jazz club scene
The Big Night is a 1951 American film noir directed by Joseph Losey, that features John Drew Barrymore, Preston Foster and Joan Lorring. The feature is based on a script written by Joseph Losey and Stanley Ellin, based on Ellin's novel Dreadful Summit. Hugo Butler and Ring Lardner, Jr. also contributed to the screenplay, but were uncredited when the film was first released.
Contents
- The big night joseph losey 1951 jazz club scene
- Scenes d art 1951 the big night real joseph losey avi
- Plot
- Critical Response
- References
Scenes d art 1951 the big night real joseph losey avi
Plot
On his teenaged son Georgie's birthday, Andy LaMain is beaten with a cane by Al Judge, a crippled newspaperman. He does not fight back, confusing Georgie, who also wonders why his widower Dad's girlfriend Frances did not come to the birthday party.
Georgie gets a gun and goes looking for Judge, first in a boxing arena where he is introduced to a Dr. Cooper. They go to a jazz club and soon Georgie gets to know Cooper's girlfriend, Julie, and sister, Marion, who kisses him but hides his gun.
Finally finding Judge, he holds him at gunpoint and demands to know where Frances has gone. Judge explains that Frances was his sister and committed suicide because Georgie's father refused to marry her. A struggle for the gun ensues and Judge is shot.
The police come to arrest Andy, believing him to be the shooter until Georgie confesses. Andy reveals to his son that he didn't wed Frances because he was still married to Georgie's mother. She is not dead after all, but ran off with another man.
Critical Response
When the film was released, film critic Bosley Crowther, panned the drama, writing, "Not only is the story presumptuous and contrived, without any clarification of character or theme, but it is directed by Joseph Losey in a provokingly ostentatious style and it is played by a cast of professionals as though it were an exercise at dramatic school. Preston Foster is funereal as the father, Howard St. John is insolent as the man who beats him up. Philip Bourneuf is bleary as a bibulous professor and Joan Lorring is sugary as a benevolent girl. Apparently everybody was concerned with theatrical effects and forgot all about a story with point and intelligence."