Tarnation (film)

Content

Tarnation is an autobiographical documentary focusing on Caouette's early life and adulthood, as well as his mother, Renee LeBlanc, who was treated with electroshock in her youth. With an absent father and a mother who struggled with mental illness, Caouette eventually settled in the Houston area with his grandparents, Adolph and Rosemary Davis, who despite personality quirks provided a supportive family for him. The film explores Caouette's life as he negotiates his complicated relationship with his mother as her child, friend and ultimately, parental figure while developing his creativity as an actor, writer and director.

Caouette came out as gay at a young age and moved to New York City at age 25, eventually finding a boyfriend named David Sanin Paz. They both live in New York City today. As documented in the film, his mother has lived with them at times and they've formed an unusual family. A scene early in the movie has an approximately 11-year-old Caouette improvising a monologue as a woman in an abusive relationship.

Soundtrack

The soundtrack uses songs by Hex (Donnette Thayer and Steve Kilbey), Lisa Germano, The Cocteau Twins, Dolly Parton, Low, Mark Kozelek, Glen Campbell, The Magnetic Fields, Iron and Wine, The Chocolate Watch Band, Mavis Staples, Red House Painters, Marianne Faithfull and many more. Orchestral cues for the film were composed by John Califra. Max Avery Lichtenstein wrote several original instrumental songs for the film, including the film's recurring theme "Tarnation".

The film's trailer features orchestral music by John Califra, "Tarnation" by Max Avery Lichtenstein, and the song "Safe As Milk" by the band Hopewell.

No soundtrack compilation album has been released, but a digital E.P. featuring selections of Max Avery Lichtenstein's original music for the film was released in 2005 by Tin Drum Recordings.

History

Caouette was shaping his material when he sent in an audition tape for John Cameron Mitchell's Shortbus. The tape contained the footage of an 11-year-old Jonathan imitating a battered wife. Mitchell was impressed and encouraged him to continue working on the film. He alerted Stephen Winter, then the artistic director of MIX NYC, the New York Lesbian & Gay Experimental Film Festival. Stephen became the producer of Tarnation. A tape found its way to Mitchell's friend, Gus Van Sant, who was also deeply moved by the film. Both he and Mitchell signed on as executive producers.

The November 2003 world premiere of the movie at MIX in was much more abstract in nature, running about two hours. With input from Mitchell, Winter, and co-editor Brian A. Kates, Caouette shot new footage and edited the film down to about 90 minutes for its screening at the 2004 Sundance Film Festival in the Frontier Section. There it was invited to appear in the 2004 Cannes Film Festival Directors' Fortnight. The filmmakers didn't have the $30,000 to make a film print for the festival but at the last minute respected art house distributor Wellspring picked it up and brought it to Cannes where it garnered great critical acclaim and worldwide distribution.

Caouette's next completed film in 2007 was All Tomorrow's Parties.

Walk Away Renee, Jonathan's companion film to Tarnation, examines a certain later period involving the filmmaker and his mother. It premiered at Cannes in 2011, and was released internationally in May 2012.