Summer in February

Plot

Set in Cornwall in the early 20th century, Summer in February focuses on a group of Bohemian artists called the Lamorna Group, which include Alfred Munnings (Dominic Cooper), Laura Knight (Hattie Morahan) and Harold Knight (Shaun Dingwall). The group is at the centre of the real life love triangle between Alfred, his friend Gilbert Evans (Dan Stevens) and the woman they both loved, the artist Florence Carter-Wood (Emily Browning).

Filming

Summer in February was shot during January and February 2012. The cast and crew spent four weeks filming in Cornwall from 15 January. Shooting locations included Penzance, Lamorna and Prussia Cove. National Trust beaches Holywell and Porthcurno provided "a dramatic setting" for a horse-race sequence and a beach party scene respectively. Producer Jeremy Cowdrey explained "We could have filmed it anywhere in the world but we were determined to do it here, where it all happened. It's a true story and, because it's about a Bohemian artists' colony, the exciting thing is to recreate it, splash Cornwall and bring the county alive."

Music

In September 2012, Rick Schultz from The Jewish Journal revealed that English composer and conductor Benjamin Wallfisch would be composing the musical score of the film. Wallfisch had not read the novel prior to being asked to score the film. Speaking to Classic FM's Sam Pittis Wallfisch said that it was clear to him from the start that the score had to be something emotional and thematic. He also wanted to capture the beauty of the location where the film is set and tell stories through the music.

The score is played by the London Chamber Orchestra and features piano solos by Yuja Wang. Wallfisch thought Wang would be perfect to play on the score and he approached her with some of the pieces he had composed. Wang agreed to come aboard and during the recording sessions, Wallfisch was so impressed with her playing that he wrote her a solo piano suite of all the main themes. The score to Summer in February was released by Decca Records in the UK on 24 June 2013.

The track listing for the album is as follows:

Box office

Summer in February entered the box office chart at number 11 after grossing £74,898 in its opening weekend for a per-cinema average of £1,170 in 64 cinemas.

Critical response

Summer in February has received mostly negative reviews from critics. Film review aggregator site Rotten Tomatoes classified the film as "rotten" with a 31% approval rating among 38 reviews, with a weighted average of 4.6/10. The site's consensus reads, "It boasts beautiful scenery, but in every other respect, Summer in February is a painfully bland period drama." On Metacritic the film has a score of 22%, based on 6 critics, indicating "generally unfavorable reviews". Stella Papamichael from Digital Spy gave the film three out of five stars and commented "The film itself is no masterwork, but it has a certain irresistible undertow." Papamichael thought that Menaul and Smith seemed unsure when it came to the scenes in between documented incidents and called the dialogue "serviceable". Anna Smith, writing for Empire, also awarded the film three stars and she stated "While the melodrama occasionally grates, this works as a raw romance and an intriguing glimpse of a bold and brash artist ahead of his time." Total Film's Tom Dawson gave Summer in February a mixed review, saying "Though it struggles to transcend its Sunday-TV feel, Christopher Menaul's film boasts sturdy turns from its three leads, while the outdoor lensing is a breath of fresh air."

Chris Tookey from the Daily Mail gave the film one star and opined Summer in February as "a plodding, sub-Merchant Ivory costume drama, not terribly convincing even though it's based on a true story, about a romantic triangle in Edwardian Cornwall" Michael Hann from The Guardian writes "Proof that truth is duller than fiction comes with this tale of real events in the Lamorna artists' colony in Cornwall in the months before the first world war." He also thought Browning's role was underwritten. During her review, Tara Brady from The Irish Times, thought the film was like "Downton Abbey stripped of charm and lobotomised." The Independent's Anthony Quinn felt that the film "struggles to rise above the blandness of a Sunday teatime serial", where "sudden bursts of drama fizzle like damp fireworks". Derek Malcolm from the London Evening Standard lamented that the film "seems to be much ado about nothing very much, despite the pleasing performances and scenery," jibing that his father's "painted horse, if only he could speak, could probably tell [him] more about Munnings the artist than Summer in February does."