7.8 /10 1 Votes
| 3.9/5 Goodreads | |||||||||||||||||||||||||||||||||
 | ||||||||||||||||||||||||||||||||||
The Holocaust books War and Genocide, Belzec - Sobibor - Treblinka, Encyclopedia of the Holocaust, The forgotten Holocaust, The Destruction of the Eur | ||||||||||||||||||||||||||||||||||
The Stroop Report is an official report prepared by General Jürgen Stroop for the SS chief Heinrich Himmler, recounting the German suppression of the Warsaw Ghetto Uprising and the liquidation of the ghetto in the spring of 1943. Originally titled The Jewish Quarter of Warsaw is No More! (Es gibt keinen jüdischen Wohnbezirk in Warschau mehr!), it is commonly referred to as "The Stroop Report".
Contents
History
The Report was commissioned by Friedrich-Wilhelm Krüger, high SS and police leader in Kraków and was intended as a souvenir album for Heinrich Himmler. It was prepared in three distinct leather-bound copies for Heinrich Himmler, Friedrich Krueger and Jürgen Stroop, with one unbound file copy of the report (das Konzept) remained in Warsaw, in the care of Chief of Staff Max Jesuiter. According to statement given in 1945 by Stroop's adjutant Karl Kaleshke, to US authorities in Wiesbaden, he ordered Stroops copy of the report burnt with other secret documents in Burg Kranzberg.
After the war only two of the four copies were discovered, those belonging to Himmler and Jesuiter. Himmler's copy went to Seventh Army Intelligence Center (SAIC) and Jesuiter's to Military Intelligence Research Section (MIRS) in London. Several sources stated that German Bundesarchiv also had a copy in Koblenz. However, in reply to inquiries by Richard Raskin, Bundesarchiv stated that third copy of report was never in their possession. Both copies were introduced as evidence at the International Military Tribunal in Nuremberg, sharing the document number 1061-PS, and used in the trial as "US Exhibit 275". It was first displayed by the chief U.S. prosecutor Robert H. Jackson for the judges during his opening address. The assistant prosecutor dealing with the persecution of the Jews referred to it as "the finest example of ornate German craftsmanship, leather bound, profusely illustrated, typed on heavy bond paper ... the almost unbelievable recital of the proud accomplishment by Major General of Police Stroop." Both copies were also used in Nuremberg in the 1947 trial of Oswald Pohl as exhibit 503.
On June 10, 1948 the Himmler/SAIC copy of the Stroop report and Katzmann Report were handed over by Fred Niebergal, head of Office of Chief of Counsel for War Crimes – OCCWC, to Bernard Acht, head of Polish Military Mission in Nuremberg. It was used in Jürgen Stroop trial at Warsaw Criminal District Court in July 1951, and transferred afterwards to KC PZPR archive. In 1952 it was transferred to Główna Komisja Badania Zbrodni Hitlerowskich w Polsce (Main Commission for the Investigation of Nazi Crimes in Poland) archive and it successor Institute of National Remembrance (polish:Instytut Pamięci Narodowej or IPN) where it remains. In 1948 Jesuiter/MIRS copy of the report went to National Archives (NARA) in Washington, D.C., where it remains.
Content
The Report was a 125-page typed document, bound in black pebble leather, with 53 photographs . It consisted of the following sections:
There are slight discrepancies in textual and graphical layout, and in the photographs they contain.
Text
The Stroop Report alludes repeatedly to the participation of the Polish Resistance in the Warsaw ghetto uprising. Jürgen Stroop referred to Polish underground fighters as "Polnische Banditen" - "Polish Bandits", he noted:
Photographs from the Stroop Report
The IPN copy of the report has 53 photographs on 49 pages, while the NARA copy has the same number of photographs on 52 pages. There are 37 photographs that appear in both copies, although not always with the same size, crop or order and occasionally with different captions. Sixteen shots in each copy are different, although often very similar as they depict the same events. All together, in both versions of the report there are 69 unique photographs.
The identity of the photographers who accompanied Stroop’s headquarters during the operation is unknown. Franz Konrad confessed to taking some of the photographs, the rest were probably taken by photographers from Propaganda Kompanie nr 689. In addition to the photographs found in the reports there were about 45 additional photographs that were not included which according to Yad Vashem were found in Stroop’s possession when he was captured by the Americans after the war. Some of those photographs were closely related to the ones used in the report as they depicted the same events. Many of those additional photographs are described in reputable sources as coming from the Stroop Report, even if they do not appear in either one of the actual reports.
The high-quality photographs taken for Stroop constitute a unique documentation of the final stage of liquidation of Warsaw ghetto. The photographer was permitted access to Stroop's inner circle, to accompany the forces that participated in liquidating the ghetto, and to get close to the combat areas. Apart from a dozen candid photographs taken by Polish firefighter Leszek Grzywaczewski, those are the only photographs of the Ghetto Uprising taken inside of the Ghetto. Some of them became highly recognized images of World War II and the Shoah. Photographic captions in the Report are often highly racist and contain little facts about their content, but are a good reflection of the mindset of the report's authors. They are written in the German Sütterlin script, and in some cases do not match the images. Despite a lack of any information about image content, many depicted places, people and events were identified in the years since the reports publication.
Gallery
Photographs included in one of the two copies of the Stroop Report. Image captions include a reference and translation of the original German caption (in red) followed by current photo caption. Click on images for more information.
Stroop Collection
Stroop Collection of related ghetto Uprising photographs: