7.8 /10 1 Votes7.8
Illustrator Elihu "Adofo" Bey Language English Originally published February 2009 Page count 240 OCLC 237325072 | 3.9/5 Goodreads Country United States Publication date February 2009 Pages 240 | |||||||||||||||||||||||||||||||||
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Preceded by Still I Rise: A Cartoon History of African Americans Similar Charles R Johnson books, African Americans books | ||||||||||||||||||||||||||||||||||
Still I Rise: A Graphic History of African Americans is a pictorial and historical-cultural narrative chronicling the struggles and triumphs of African Americans. The book is set to be published by Sterling Publishing in early February 2009. Co-authored by husband and wife team, Roland Laird and Taneshia Nash Laird, with a foreword by Charles R. Johnson, it is an update of the original text, Still I Rise: A Cartoon History of African Americans. Published in 1997, A Cartoon History depicts through the use of cartoon illustrations the historical journey of African Americans, from pre-colonial America to the present.
Contents
According to Charles Johnson, a National Book Award winner, Still I Rise is the first history of African Americans that is primarily of a cartoon or graphic nature The book has been compared to cartoonist styles of Art Spiegelman and Larry Gonick applied to African American history. Johnson said of the first edition, "Permeating this encyclopedic research is ... recognition of the beauty, resilience, and spiritual endurance of black Americans."
The previous edition of A Graphic History is Still I Rise: A Cartoon History of African Americans. A Cartoon History spans the history of African peoples in America between the time periods of 1618, when the first skilled African craftspeople and farmers were brought over as indentured servants, to the Million Man March of 1995. The book treats at some length topics such as militancy, separatism and integration. Throughout the story, the narrative highlights the efforts of diverse African American leaders including Harriet Tubman, Fredrick Douglass and Martin Luther King. As an historical narrative, Still I Rise shows how Black Americans have persevered despite political, social and economic opposition.
Summary
The book's plot centers around the fact that many African indentured servants, once in America, proved to be highly skilled - even more so than many of their European counterparts. The book tells the tale of how these servants went on to buy out their indenture contracts, creating a white backlash which resulted in lengthening those contracts. As tensions between Africans and Europeans grew, this ultimately led in 1676 to the Bacon's Rebellion, which caused slavery to become official law in all the colonies. The book then takes the reader from the end of American slavery, through Reconstruction and the Civil Rights Movement to the nomination of President Barack Obama. The central theme that is woven throughout the narrative is the resilience, creativity and fortitude of African Americans through virtually insurmountable obstacles.
Reviews
Entertainment Weekly lauded the original 1997 text with the grade of "A-", praising it as "packed with information" and "engaging and well-written."
In the Trenton Times, the current edition is called "a labor of love" of "epic scope"
Commissioning the Second Edition
The 2007 candidacy of then Senator Barack Obama prompted Sterling Publishing, a New York-based publishing company, to ask the authors to create a new edition.
Criticism
Although Draper offers positive comments on the Still I Rise editions, she criticized the first edition, arguing that "the illustrations are flat...," and that "characters vary grotesquely from panel to panel..."
Publishers Weekly said that, while the book is worthy of reading, "...the entire book is marred with amateurish artwork. Artist Bey displays only the most rudimentary of basic visual storytelling techniques; the layouts are haphazard, with the figures' hands and heads often cut off, and the grafittiesque/cartoony art style is inappropriate for the material. It's disappointing that a historical work with the potential for crossover appeal gets poleaxed by subpar visuals that trivialize the text. Parts of the book bear so little visual gravitas that it comes off as a black man's struggle coloring book, and that's a shame."
A Library Journal review said the illustrations were "often simplistic."