Standing on a Beach

Release formats

The album was released in three formats, vinyl record, compact disc and audio cassette.

The vinyl edition is a collection of all thirteen of The Cure's commercially released singles up to that point in chronological order. "10:15 Saturday Night" is dropped though, possibly because it was only released in France.

The CD edition features the same tracks as the vinyl edition, but also includes an extra track from four of the band's albums. The four songs, although not released as singles, all had music videos made for them.

The cassette edition features the same tracks as the vinyl edition, but also contains all of the band's b-sides that had not, to that point, received a long-play release. This excludes "10:15 Saturday Night" from the "Killing an Arab" single, which was released on the Three Imaginary Boys album, "Plastic Passion" from the "Boys Don't Cry" single, which was released on the Boys Don't Cry album, and the five b-sides from the "Let's Go to Bed", "The Walk" and "The Love Cats" singles, which were released on the Japanese Whispers compilation album. However, the b-side "Mr. Pink Eyes" from the 12" version of "The Lovecats" was omitted from Japanese Whispers, and so was included on this release.

These releases were accompanied by a VHS and laserdisc release, a music video collection named Staring at the Sea: The Images with the same setlist as CD version of the album.

All the b-sides on the cassette edition were also later released on the first disc of the Join the Dots compilation in 2004.

The album has been certified 2x platinum in the U.S.

Also missing is the special "Lament" 'Flexipop' single from 1982, as this was not a proper single, and "I'm a Cult Hero" from 1979, probably because it was released under a different band name, Cult Hero.

Album Art

The man featured on the album cover was not a member of The Cure; he was chosen because his appearance fit the desired aesthetic of the album. His name is John Button, and was at the time a retired fisherman. He also appeared in the music video for "Killing an Arab." According to the band's 2005 biography by Jeff Apter, when asked why he agreed to lend his face to the band's media, Button's answer was "If I can help these youngsters break through, after all, why not?" He also reportedly said that he would buy a player and listen to one of the band's songs "out of curiosity, just to see."

Vinyl edition

Side A

1. "Killing an Arab" (Robert Smith, Lol Tolhurst, Michael Dempsey) – 2:22
2. "Boys Don't Cry" (Smith, Tolhurst, Dempsey) – 2:35
3. "Jumping Someone Else's Train" (Smith, Tolhurst, Dempsey) – 2:54
4. "A Forest" (Smith, Tolhurst, Simon Gallup, Matthieu Hartley) – 4:53 (from Seventeen Seconds, 1980)
5. "Primary" (Smith, Tolhurst, Gallup) – 3:33 (from Faith, 1981)
6. "Charlotte Sometimes" (Smith, Tolhurst, Gallup) – 4:13
7. "The Hanging Garden" (Smith, Tolhurst, Gallup) – 4:21 (from Pornography, 1982)

Side B

1. "Let's Go to Bed" (Smith, Tolhurst) – 3:33
2. "The Walk" (Smith, Tolhurst) – 3:28
3. "The Love Cats" (Smith) – 3:38
4. "The Caterpillar" (Smith, Tolhurst) – 3:38 (from The Top, 1984)
5. "In Between Days" (Smith) – 2:56 (from The Head on the Door, 1985)
6. "Close to Me" (Smith) – 3:39 (from The Head on the Door, 1985)

CD edition/Video

1. "Killing an Arab" (Smith, Tolhurst, Dempsey) – 2:22
2. "10:15 Saturday Night" (Smith, Tolhurst, Dempsey) – 3:37 (from Three Imaginary Boys, 1979)
3. "Boys Don't Cry" (Smith, Tolhurst, Dempsey) – 2:35
4. "Jumping Someone Else's Train" (Smith, Tolhurst, Dempsey) – 2:57
5. "A Forest" (Smith, Tolhurst, Gallup, Hartley) – 4:53 (from Seventeen Seconds, 1980)
6. "Play for Today" (Smith, Tolhurst, Gallup, Hartley) – 3:42 (from Seventeen Seconds, 1980)
7. "Primary" (Smith, Tolhurst, Gallup) – 3:33 (from Faith, 1981)
8. "Other Voices" (Smith, Tolhurst, Gallup) – 4:26 (from Faith, 1981)
9. "Charlotte Sometimes" (Smith, Tolhurst, Gallup) – 4:13
10. "The Hanging Garden" (Smith, Tolhurst, Gallup) – 4:21 (from Pornography, 1982)
11. "Let's Go to Bed" (Smith, Tolhurst) – 3:33
12. "The Walk" (Smith, Tolhurst) – 3:28
13. "The Love Cats" (Smith) – 3:38
14. "The Caterpillar" (Smith, Tolhurst) – 3:38 (from The Top, 1984)
15. "In Between Days" (Smith) – 2:56 (from The Head on the Door, 1985)
16. "Close to Me" (Smith) – 3:39 (from The Head on the Door, 1985)
17. "A Night Like This" (Smith) – 4:11 (from The Head on the Door, 1985)

Side one - The singles

1. "Killing an Arab" (Smith, Tolhurst, Dempsey) – 2:22
2. "Boys Don't Cry" (Smith, Tolhurst, Dempsey) – 2:35
3. "Jumping Someone Else's Train" (Smith, Tolhurst, Dempsey) – 2:54
4. "A Forest" (Smith) – 4:53
5. "Primary" (Smith, Tolhurst, Gallup) – 3:33
6. "Charlotte Sometimes" (Smith, Tolhurst, Gallup) – 4:13
7. "The Hanging Garden" (Smith, Tolhurst, Gallup) – 4:21
8. "Let's Go to Bed" (Smith, Tolhurst) – 3:33
9. "The Walk" (Smith, Tolhurst) – 3:28
10. "The Lovecats" (Smith) – 3:38
11. "The Caterpillar" (Smith, Tolhurst) – 3:38
12. "In Between Days" (Smith) – 2:56
13. "Close to Me" (Smith) – 3:39

Side two - The b-sides

1. "I'm Cold" (Smith, Tolhurst, Dempsey) – 2:47 (from "Jumping Someone Else's Train")
2. "Another Journey By Train" (Smith, Gallup, Tolhurst, Hartley) – 3:04 (from "A Forest")
3. "Descent" (Smith, Gallup, Tolhurst) – 3:07 (from "Primary")
4. "Splintered in Her Head" (Smith, Gallup, Tolhurst) – 5:16 (from "Charlotte Sometimes")
5. "Mr Pink Eyes" (Smith, Tolhurst) – 2:42 (from "The Love Cats")
6. "Happy the Man" (Smith) – 2:45 (from "The Caterpillar")
7. "Throw Your Foot" (Smith) – 3:33 (from "The Caterpillar")
8. "The Exploding Boy" (Smith) – 2:52 (from "In Between Days")
9. "A Few Hours After This" (Smith) – 2:26 (from "In Between Days")
10. "A Man Inside My Mouth" (Smith) – 3:05 (from "Close to Me"/"Half an Octopuss")
11. "Stop Dead" (Smith) – 4:02 (from "In Between Days"/"Close to Me"/"Half an Octopuss")
12. "New Day" (Smith, Tolhurst) – 4:08 (from "Half an Octopuss")

Comparison

Presented here is a comparison showing in what format each of the twenty nine songs on the album can be found, with the position number of that song on that particular format.