GeGeGe no Kitaro
Nunoe Mura (m. 1961)
| Manga artist|
| Shigeru Mura
March 8, 1922
Sakaiminato, Tottori (1922-03-08) |
Writer, penciller, inker, manga artist,
GeGeGe no Kitaro
Onward Towards Our Noble Deaths
Showa: A History of Japan
November 30, 2015, Tokyo, Japan
Naoko Haraguchi, Etsuko Mizuki
Kodansha Manga Award - General category
Natsuhiko Kyogoku, Osamu Tezuka, Yoshiharu Tsuge, Hiroshi Aramata, Ryoichi Ikegami
Shigeru Mizuki Wikipedia
Shigeru Mizuki (水木 しげる, Mizuki Shigeru, March 8, 1922 – November 30, 2015) was a Japanese manga author and historian, best known for his series GeGeGe no Kitarō (Japanese: ゲゲゲの鬼太郎, literally "spooky Kitarō") – originally titled Hakaba Kitarō (Japanese: 墓場鬼太郎, literally "Kitarō of the Graveyard") – Kappa no Sanpei, and Akuma-kun. Born in a hospital in Osaka and raised in the city of Sakaiminato in Tottori prefecture, he later moved to Chōfu, Tokyo where he remained until his death. His pen-name, Mizuki, comes from the time when he managed an inn called 'Mizuki Manor' while he drew pictures for kamishibai. A specialist in stories of Yōkai (妖怪, traditional Japanese monsters, ghouls, and goblins), he is considered a master of the genre. Mizuki was also a noted historian, publishing works relating to world history, Japanese history, and his own World War II experience.
Mizuki was born Shigeru Mura (武良 茂 Mura Shigeru) in the city of Osaka, the second of three sons. He was raised in the coastal city of Sakaminato, where he spent much of his childhood as a 'scrapper': picking fights and participating in childish warfare with the neighbouring children. He displayed from an early age a particular talent for art. During his time in elementary school, Mizuki's teachers were so impressed by his skills with a pencil that they organised an exhibition of his work, and he later went on to be featured in the Mainichi newspaper as something of an artistic prodigy. In addition to this penchant for the artistic, Mizuki had an interest in the supernatural - something that was fueled by listening to ghost stories told by a local woman named Fusa Kageyama, but whom the young Mizuki nicknamed "Nononba".
However, in 1942, he was drafted into the Imperial Japanese Army and sent to New Britain Island in Papua New Guinea. His wartime experiences affected him greatly, as he contracted malaria, watched friends die from battle wounds and disease, and dealt with other horrors of war. Finally, in an Allied air raid, he was caught in an explosion and lost his dominant (left) arm. Regarding this life-changing event, a Nov. 30, 2015 NHK announcement of his death showed excerpts of a video interview with him at age 80, in which he said that as the only survivor of his unit, he was 'ordered to die' — a prospect he considered ridiculous. The result of Mizuki's wartime experience was a concurrent sense of pacifism and goodwill. In the same interview, he explained that his Yōkai characters can be seen only in times of peace, not war, and that he purposely created these supernatural creatures to be of no specific ethnicity or nationality as a hint of the potential for humanity. While in a Japanese field hospital on Rabaul, he was befriended by the local Tolai tribespeople, who offered him land, a home, and citizenship via marriage to one of their women. Mizuki acknowledged that he considered remaining behind, but was shamed by a military doctor into returning home to Japan first for medical treatment to his arm and to face his parents, which he did reluctantly.
Upon arriving home, Mizuki had initially planned to return to New Guinea; however, the occupation of Japan changed that. His injuries did little to help, nor did the fact that his older brother, an artillery officer, was convicted as a war criminal for having prisoners of war executed. After his return to Japan he worked at a variety of jobs including as a fish salesman and kamishibai artist.
In 1957, Mizuki released his debut work, Rocketman. He published numerous works afterwards, both dealing with the military and wit yōkai. He has also written many books on both subjects, including an autobiography about his time on New Britain Island and a manga biography of Adolf Hitler. In 1991, he released a short work titled War and Japan published in The Sixth Grader, a popular edutainment magazine for young people, detailing the atrocities committed by the Japanese Army during their rampage in China and Korea and is narrated by Nezumi Otoko. The work serves as a powerful counterpoint to revisionist manga like the works of Yoshinori Kobayashi and by extension a way for Mizuki to express his anger at those responsible for all of Japan's victims. When not working in either field, he paints a number of subjects, though these works are not as well known as his literary ones which have made him a household name. In 2003, he returned to Rabaul to rekindle his friendship with the locals, who had named a road after him in his honor.
In 2005, Mizuki appeared in a cameo role in Yōkai Daisenso ("The Great Yokai War") directed by Takashi Miike, a film about Yōkai inspired by his work as well as the work of Aramata Hiroshi. He appears towards the end of the film in the role of the Great Elder Yōkai: a pacifistic character who condemns the warring ways of the film's antagonist and reaffirms the role of Yōkai as peaceful, playful creatures. A brief explanation about his works also is mentioned in the film. In 2010, NHK broadcast an asadora about his married life, Gegege no Nyōbō, based on his wife's autobiography.
On November 30, 2015, Shigeru Mizuki died of heart failure in a Tokyo hospital after collapsing at his home from a heart attack.
Sakaiminato, Mizuki's childhood home, has a street dedicated to the ghosts and monsters that appear in his stories. One hundred bronze statues of the story's characters line both sides of the road. There is also a museum featuring several of his creations and works.
Mizuki has won numerous awards and accolades for his works, especially GeGeGe no Kitaro. Among these are:1965 Received Kodansha Jido Manga Award for Terebi-kun (テレビくん?).
1990 Received Kodansha Manga Award for Komikku Shōwa-Shi.
1991 Received Shiju Hōshō Decoration.
1995 For the 6th Annual Tokyo Peace Day, he was awarded with an exhibition of his paintings, entitled "Prayer for Peace: Shigeru Mizuki War Experience Painting Exhibition"
1996 Received Minister of Education Award.
1996 His hometown of Sakaiminato honored him with the Shigeru Mizuki Road, a street decorated with bronze statues of his Ge Ge Ge no Kitaro characters and other designs relating to his works.
2003 Received Kyokujitsu Shō Decoration.
2003 Sakaiminato honored him again with the Shigeru Mizuki International Cultural Center.
2003 Tezuka Osamu Cultural Prize Special Award for his works.
2007 Received the Best Comic Book award for NonNonBā at the Angoulême International Comics Festival.
2010 Received the Person of Cultural Merit award.
2012 Received the Eisner Award for Onward Towards Our Noble Deaths, in the category Best U.S. Edition of International Material – Asia. The award was shared with translator Zack Davisson
Hakaba Kitaro (1960–1964)
Kappa no Sanpei (河童の三平, 1961–1962)
Terebi-kun (テレビくん, 1965)
GeGeGe no Kitarō (1967–1969)
Hitler (劇画ヒットラー, Gekiga Hittorā, 1971)
The Miraculous Notebook (不思議な手帖, Fushigina Techō, 1973) — a one-shot published in the magazine Comic Mystery about a notebook that killed whoever's name was written in it. The same idea was used in the smashhit manga Death Note by Tsugumi Ohba and Takeshi Obata. Although this fact is a coincidence, Ohba has stated he did not have any particular inspiration for his story.
Onward Towards Our Noble Deaths (1973)
NonNonBa (のんのんばあとオレ, Nonnonba to Ore) (1977)
Showa: A History of Japan (1988–1989)
Mizuki, Shigeru. 水木しげるの日本妖怪めぐり (Hepburn: Mizuki Shigeru no Nihon Yōkai Meguri, lit. "Shigeru Mizuki's Ghosts and Demons".)
Rabauru Senki (Memories of Rabaul)
Mizuki, Shigeru. "Graphic World of Japanese Phantoms". 講談社, 1985. ISBN 978-4-06-202381-8 (4-06-202381-4)