His books include Epics, Spectacles, and Blockbusters (co-written with Steve Neale) which Jim Whalley called "an important addition to work considering popular film and film industries". He also wrote Zulu: With Some Guts Behind It about the 1964 film.
Books
Zulu: With Some Guts Behind It (Tomahawk Press (GA), 2005, ISBN 0-9531926-6-0)
Epics, Spectacles and Blockbusters (co-authored with Steve Neale; Detroit: Wayne State University Press, 2010, ISBN 978-0-8143-3008-1)
Widescreen Worldwide (co-edited with Steve Neale and John Belton; John Libbey Publishing, 2010, ISBN 978-0-8619-6694-3)
Chapters in Books
How the West Was Won: History, Spectacle and the American Mountains’, in Ian Cameron and Douglas Pye (eds.), The Movie Book of the Western (London: Studio Vista, 1996)
"The Wrong Sort of Cinema: Refashioning the Heritage Film Debate", in Robert Murphy (ed.), The British Cinema Book (Second Edition, BFI Publishing, 2001), ISBN 0-85170-851-X, pp. 191–99. (To be revised and expanded in 2007.)
"Monkey Feathers: Defending Zulu", in Claire Monk and Amy Sargeant (eds), British Historical Cinema (Routledge, 2002) ISBN 0-415-23810-2, pp. 110–28.
"Tall Revenue Features: The Genealogy of the Contemporary Blockbuster", in Steve Neale (ed.), Genre and Contemporary Hollywood (BFI Publishing, 2002), ISBN 0-85170-887-0, pp. 11–26.
"Carpenter’s Widescreen Style", in Ian Conrich and David Woods (eds), The Cinema of John Carpenter: The Technique of Terror (Wallflower Press, 2004), ISBN 1-904764-14-2, pp. 66–77.
"Twentieth Century Fox in the 1960s", "Blockbusters in the 1970s" and "The Sound of Music", in Linda Ruth Williams and Michael Hammond (eds), Contemporary American Cinema (McGraw-Hill/ Open University Press, 2006), ISBN 0-335-21831-8, pp. 26–28, 46-49, 164-81.
Six entries in Alastair Phillips and Ginette Vincendeau (eds), Journeys of Desire: European Actors in Hollywood (BFI Publishing, 2006), ISBN 1-84457-124-6, pp. 170, 196-98, 240, 276-77, 336-37, 469.
Thirty-nine entries in Robert Murphy (ed.), Directors in British and Irish Cinema: A Reference Guide (BFI Publishing, 2006), ISBN 1-84457-126-2.
Three chapters in Ian Cameron (ed.), Unexplored Hitchcock (Moffat: Cameron and Hollis, forthcoming).
Journal Articles
"Selling Religion: How to Market a Biblical Epic", Film History, 14: 2 (2002), pp. 170–85.
"Dial M for Murder", Film History, 16: 2 (2004), pp. 243–55.
"Rodoslovlje modernog blockbustera", Hrvatski filmski Ljetopis, 40 (2004) pp. 5–16 (Croatian translation of ‘Tall Revenue Features’ [see above] in Neale, Genre and Contemporary Hollywood).
Review article, "British Social Realism: In Print and on DVD", in Viewfinder, no. 54 (March 2004), pp. 8–10.
Book reviews, "British Social Realism: From Documentary to Brit Grit" and "J. Lee Thompson", both in Journal of British Cinema and Television, 1:2 (2004), pp. 306–09, 321-24.
"The Hills Are Alive in East Anglia: The Sound of Music Comes to Norwich", Picture House, no. 30 (2005), pp. 34–39.
Book review, "ABC: The First Name in Entertainment", et al., Journal of British Cinema and Television, 3:1 (2006), pp. 188–91.
Internet Article: "Size Still Matters! The 2004 Oslo 70mm Film Festival", posted 1 October 2004, in70mm.com: The 70mm Newsletter (http://www.in70mm.com/news/2004/oslo/oslo_2004.htm)
Other writings
An Opera of Violence - Documentary on Sergio Leone's Once Upon a Time in the West
Something to Do with Death - Further documentary on Once Upon a Time in the West
The Wages of Sin - Further documentary on Once Upon a Time in the West
The above three titles are featured on the 2003 special edition DVD release of Once Upon a Time in the West
The Making of 'Zulu': ...and Snappeth the Spear in Sunder - Documentary available on the 2002 special edition DVD release of Cy Endfield's Zulu
