Publisher(s) Psygnosis Designer(s) Paul Howarth Artist(s) Steven Hammond | Producer(s) Martin Edmondson Programmer(s) Richard Swinfen | |
Developer(s) Reflections Interactive | ||
Shadow of the Beast is a platform game developed by Reflections and published by Psygnosis in 1989. The original version was released for the Amiga, and was later ported to many other systems.
Contents
Shadow of the Beast was known for its graphics, with numerous colours on screen and up to twelve levels of parallax scrolling backdrops, and for its atmospheric score composed by David Whittaker that used high-quality instrument samples.
Shadow of the Beast was followed by two sequels, Shadow of the Beast II in 1990 and Shadow of the Beast III in 1993, with music penned by Tim Wright under the alias of CoLD SToRAGE. A remake was released for the PlayStation 4 in May 2016, and also included the Amiga original.
Plot
A man named Aarbron is kidnapped as a child and corrupted through magic into a monstrous warrior-servant for the evil beast lord Maletoth. The creature's memory of his human life returns when he watches a man being executed, whom he later recognizes as his father. This prompts Aarbron to seek revenge on Maletoth. A long arduous journey ensues, with Aarbron forced to battle his way through both hostile terrain and Maletoth's forces. He eventually confronts one of Maletoth's minions, a gargantuan creature whose only visible body parts are its hand and foot. Defeating the creature, Aarbron is freed from his curse, the titular "Shadow of the Beast", and returned to a more humanoid form.
Development
Shadow of the Beast was designed by Martin Edmondson and Paul Howarth of Reflections Interactive over the course of nine months, and it was their second 16-bit game after their previous game, Ballistix. Edmondson and Howarth described it as their "most ambitious project to date", and stated that they wanted the game to push both the Amiga and Atari ST to their technical limits. To achieve this, the Amiga version was written first, so that they would take advantage of all of the computer's advanced hardware capabilities. The scrolling on the Amiga version ran at 50 frames per second (FPS), the same framerate found in arcade machines, in which they are superior to majority of home computer games at the time with a slower framerate. The developers made use of the hardware sprites and scrolling rather than using the blitter, which they felt that the blitter "does not run quite as fast as some people would believe." To get the speed they wanted, the developers employed difficult techniques such as the sprite multiplexing. The game uses up to twelve levels of parallax scrolling, and up to a maximum of 128 colours on screen.
The game was also designed to be as difficult as possible; Edmondson remarked that he liked difficult games at the time and he "used to get frustrated if the game was too easy." The game's cover art was designed by British artist Roger Dean, who also done cover artwork for other Psygnosis-published games. The music for Shadow of the Beast was composed by David Whittaker. Whittaker wrote six main pieces of music, with each pieces contains its own sub-theme, to "fit the changing scenes in the game." The instruments were created using the Korg M1 synthesiser and then sampled at 20 KHz. Ruben Monteiro's arrangement of the game's music was released in 1999, on an Amiga music compilation album Immortal.
Shadow of the Beast was released in 1989 by Psygnosis. It was initially retailed for £35, and was included with a T-shirt. It has been ported for various other platforms since its original release. It was ported to the ZX Spectrum and the Amstrad CPC by Gremlin Graphics, to the TurboGrafx-16's Super CD-ROM² addon and the Commodore 64 by DMA Design, to the Mega Drive by WJS Design, to the Atari Lynx by Digital Developments, to the Master System by TecMagik, and to the FM Towns by Tim Ansell of Creative Assembly. An Atari 8-bit version was in development in 1990 to be published by Harlequin, but it was never finished due to collapse of the company. A port for the Super Nintendo Entertainment System titled Super Shadow of the Beast was shown at the 1992 Summer Consumer Electronics Show, and it was planned to be released by Information Global Service, however it never materialised. The Mega Drive and TurboGrafx-CD versions of Shadow of the Beast were released in Japan on 27 March 1992 by Victor Interactive Software. The FM Towns and TurboGrafx-CD versions features a soundtrack arranged by Chris Howlett and Ian Henderson of DC Productions.
Reception
Shadow of the Beast and Shadow of the Beast II were reviewed in 1991 in Dragon where both games got 5 out of 5 stars. Sega Pro praised the Master System version for its graphics and sound, but criticised the "awkward" controls method.
In a retrospective article for Digital Spy, Mark Langshaw remarked that Shadow of the Beast "will always be remembered as one of many jewels in the crown of Studio Liverpool." Langshaw however said that the Mega Drive version was considered inferior to other versions, and because of its poor conversion rate, the game ran faster than intended on the North American Genesis console and "went from unforgiving to near impossible." Travis Fahs of IGN considered the FM Towns port a superior version of the game.
Sequels
There are two sequels for the game: Shadow of the Beast II in 1990 and Shadow of the Beast III in 1993. The former was again ported to a number of platforms.
Remake
A re-imagined version of Shadow of the Beast was revealed at Gamescom 2013, developed by Heavy Spectrum Entertainment Labs and released by Sony Interactive Entertainment for the PlayStation 4 in May 2016. The original Amiga version is included along with the remake.