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Seopyeonje

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Director
  
Im Kwon-taek

Music director
  
Kim Soo-chul

Duration
  

Language
  
Korean

8/10
IMDb

Genre
  
Musical, Drama

Screenplay
  
Kim Myoung-kon

Country
  
South Korea

Seopyeonje movie poster

Release date
  
10 April 1993 (1993-04-10)

Based on
  
Seopyeonje by Lee Cheong-jun

Writer
  
Myung-gon Kim, Chung-Joon Lee (novel)

Initial release
  
April 10, 1993 (South Korea)

Cast
  
Jung-hae Oh
(Song-Wha(??)),
Myung-gon Kim
(Yu-Bong(??)),
Kim Kyu-chul
(Dong-Ho(??))



Similar
  
Chunhyang (2000 film), Oasis (2002 film), Chi hwa seon

Sopyonje trailer im kwon taek


Seopyeonje (Hangul: 서편제) is a 1993 South Korean musical drama film directed by Im Kwon-taek. Its story tells of a family of traditional Korean pansori singers trying to make a living in the modern world. The film was originally expected to only draw limited interest, and was released on only one screen in Seoul. At the height of its popularity, it was shown on only three screens at once in the entire city of over 10 million. Nevertheless, it ended up breaking box-office records and became the first Korean film to draw over a million viewers in Seoul alone. When it was released, Sopyonje's success also increased interest in pansori among modern audiences. The film was acclaimed critically, both in South Korea and abroad, getting screened in Cannes Film Festival and winning six Grand Bell Awards and six Korean Film Critics' Awards.

Contents

Seopyeonje Seopyeonje AsianWiki

Im Kwon-taek also used pansori as a narrative tool in his later films Chunhyang (2000), based on the popular Korean story Chunhyangga, and Beyond the Years (2007), an informal sequel to Sopyonje.

Seopyeonje KLN Korean Literature Now

Plot

Seopyeonje South Korean Film Scores and Ease of Distribution Part 2 Im Kwon

In a jumak (a tavern) on a small pass called Soritjae of Boseong County, South Jeolla Province, during the early 1960s, Dong-ho who is in his 30s, recalls his past as he is listening to a rendition of "pansori" sung by the jumak owner. Dong-ho and his sister Song-hwa were raised by the pansori singer Yu-bong, who treats them sternly and with a strict training regimen in his attempts to make serious artists of them as Yu-bong feels that a truly great pansori artist must suffer. Eventually Dong-ho runs away but Song-hwa stays behind. Adam Hartzell has argued that Song-hwa symbolizes South Korea, transcending a history of suffering to achieve greatness. However, scholars believe that this movie glorifies the father's patriarchal power as he seeks to limit his daughter's sexuality.



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References

Seopyeonje Wikipedia
Seopyeonje IMDb Seopyeonje themoviedb.org