Location Rome, Italy Groundbreaking 8th century Completed 1588 (reconstruction) Burials Thomas Weld | Affiliation Roman Catholic Phone +39 06 4566 4242 Architectural type Church | |
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Address Via della Guglia, 69/B, 00186 Roma, Italy Architectural styles Renaissance architecture, Baroque architecture Similar Santi Marcellino e Pietro a, San Callisto, Santa Maria in Via Lata, Santi Nereo e Achilleo, Basilica di Sant'Anastasia al Palatino | ||
Roma i le campane della chiesa di santa maria in aquiro
Santa Maria in Aquiro is a church in Rome, Italy. It is dedicated to Mary, mother of Jesus, and is located on Piazza Capranica.
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The church is ancient – it was restored by Pope Gregory III in the 8th century, and thus must have existed before then. One theory is that it was the titulus Equitii, though San Martino ai Monti is a more likely candidate. It is also referred to as Santa Maria della Visitazione, notably by Pope Urban VI in 1389. The origins of the name are nebulous; most attribute it to a corruption of the term a Cyro, perhaps referring in early days to a neighborhood resident. According to another theory Acyro refers to a curruption of the Latin word "circus", a stadium for horse racing, which was located in the vicinity. In 1540 Pope Paul III granted the church to the Confraternity of Orphans, and it was restored in 1588.
Art and architecture
The most important work of art in the church is a 14th-century painting, in the apse, of the Madonna and Child with St Stephen, attributed to the school of Pietro Cavallini. This painting and the funeral lapidary monuments in the vestibule are from the medieval church of Santo Stefano del Trullo, destroyed during the pontificate of Pope Alexander VII (1655–1667). There are also paintings from the 17th and 18th centuries. The facade was completed by 1774 by Pietro Camporese the Elder, based on designs of Giovanni Francesco Braccioli. The interior was redecorated by Cesare Mariani in 1866.
Two chapels have paintings by followers of Caravaggio: the third chapel at right has a Virgin and Saints (1617) by Carlo Saraceni, while the second chapel on the left has three canvasses – Deposition from the Cross, Crowning with the crown of thorns, and Flagellation of Christ (1635-1640) – attributed to the Frenchman Trophime Bigot. Formerly these paintings were thought to be by the hand of Gerard van Honthorst.