Date of birth 27 September 1916 Name S. Yizhar 1956–1965 Mapai | 1949–1955 Mapai Knessets 1, 2, 3, 4. 5, 6 Role Israeli Politician | |
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Place of birth Rehovot, Ottoman Empire Date of death 21 August 2006 (aged 89) Died August 21, 2006, Sderot, Israel Education Hebrew University of Jerusalem Awards EMET Prize in Culture and Arts Books Khirbet Khizeh, Days of Ziklag, Preliminaries, Midnight convoy & other stori, Israel 60: Those Were the | ||
Yizhar Smilansky (Hebrew: יזהר סמילנסקי, 27 September 1916 – 21 August 2006), known by his pen name S. Yizhar (Hebrew: ס. יזהר), was an Israeli writer and politician.
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Biography
Yizhar Smilansky was born in Rehovot to a family of writers. His great uncle was Israeli writer Moshe Smilansky. His father, Zev Zass Smilensky, was also a writer. After earning a degree in education, Yizhar taught in Yavniel, Ben Shemen, Hulda, and Rehovot.
Literary career
From the end of the 1930s to the 1950s, Yizhar published short novellas, among them Ephraim Goes Back to Alfalfa, On the Edge of the Negev, The Wood on the Hill, A Night Without Shootings, Journey to the Evening's Shores, Midnight Convoy, as well as several collections of short stories. His pen name was given to him by the poet and editor Yitzhak Lamdan, when in 1938 he published Yizhar's first story Ephraim Goes Back to Alfalfa in his literary journal Galleons. From then on, Yizhar signed his works with his pen name.
In 1949, he published the novella Khirbet Khizeh, in which he described the expulsion of Palestinian Arabs from their village by the IDF during the 1948 Arab-Israeli War. It became a best-seller and in 1964 was included in the Israeli high school curriculum. In 1978, a controversy arose after a dramatization of Khirbet Khizeh by director Ram Loevy was aired on Israeli television. Shapira has lamented that, despite the publishing of Yizhar's novella decades earlier, Benny Morris was able, when he published The Birth of the Palestinian Refugee Problem, 1947–1949 in 1988, to announce "himself as the man who had laid bare the original sin of the State of Israel".
In the late 1950s, his massive work Days of Ziklag appeared, comprising two volumes and more than a thousand pages. This work had a powerful impact on changing the outlook for Hebrew prose on the one hand, and "war literature" on the other. Although Yizhar remained in the public eye as an outstanding polemicist, he broke his decades-long literary silence only in 1992 with the publication of his novel, Mikdamot (Preliminaries). This was quickly followed by five additional new volumes of prose, both novels and collections of short stories, including Tsalhavim, Etsel Ha-Yam (At Sea), Tsedadiyim (Asides), and Malkomyah Yefehfiyah (Beautiful Malcolmia). His last work, Gilui Eliahu (Discovering Elijah), set in the period of the Yom Kippur War, was published in 1999 and later adapted for the stage. The play won first prize at the Acco Festival of Alternative Israeli Theatre in 2001. Yizhar also wrote stories for children in which he contended with the defining themes of his youth, as in Oran and Ange concerning the Israeli cultivation of citrus fruits; Uncle Moshe's Chariot, a memoir of the character of his famous great uncle Moshe Smilansky; and others.
Academic career
Yizhar was a professor of education at the Hebrew University of Jerusalem. In 1986-7 he was Visiting Writer at the Center for Jewish Studies at Harvard University. He was a lecturer at Levinsky College in Tel Aviv into the late 1990s.
Political career
Yizhar was elected to the first Knesset in 1949, remaining a Knesset member until the 1955 elections. He returned to the Knesset in October 1956 as a replacement for Aharon Becker. In 1965 he defected to David Ben-Gurion's new Rafi party, but resigned from the Knesset on 20 February 1967.
Literary style
Yizhar's early work was influenced by Uri Nissan Gnessin. His knowledge of Israeli geology, geomorphology, climate, and flora is evident in his landscape descriptions and his emphasis on the relationship between person and place. Yizhar's use of language is unique. With his long sentences and combination of literary Hebrew and street jargon, he draws the reader into his heroes' stream of consciousness.