Year 1873 Period Symbolism | Medium Oil on canvas Created 1873 | |
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Similar At Alban Hills, Diana sleeping with two f, Odysseus und Kalypso, Self‑Portrait with Death Playing th, Roman Landscape | ||
Roger Freeing Angelica is an oil painting by Swiss symbolist painter Arnold Böcklin, from 1873. The painting illustrates a scene from Ariosto's epic Orlando Furioso, in which the Muslim knight Roger (Italian: Ruggieri) saves the pagan princess Angelica from a sea monster. The motif is closely related to the mythological theme of Perseus saving Andromeda.
Contents
Background
Symbolist art was a late nineteenth-century art movement, mainly originating in German and French speaking countries, with Brussels as one of the leading centers. Since the movement was initiated by and closely related to literature, poetry and music, symbolist painters often chose their motives from these areas. The style is characterized as: "refined, elegant, subtle, intellectual, and elitist".
Theme
The motif is inspired from one of the main characters in Orlando Furioso, Roger (Ruggiero) the 16th century Italian romantic epic poem by Ludovico Ariosto, a poem that has exerted a wide influence in the European literature. In love with the Christian woman Bradamante, who is a warrior and knight herself. The two lovers are separated many times in the story. Roger, originally a Muslim warrior fighting the Franks, has himself baptized to be able to marry Bradamante, who refuses otherwise to marry him. Both Roland (Orlando) and Rinaldo are in love with the Chinese princess Angelica.
In the tenth canto of the poem, Roger is riding in Brittany on a hippogriff when he discovers Angelica, naked and chained to a rock, who has been bound there a sacrifice to a water-dwelling orc and saves her.